The Departure

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The Departure The Departure was once a studio & advocacy space located at The Mill. It is currently existing in a transient form without a fixed location.

Independent death worker & end-of-life consultant at The Departure đŸ–€
DEAD AIR, a live, weekly radio show about death & dying: 10-11am (AEST) Mondays on 94.9 MainFM Please contact Hayley regarding art-related commissions such as bespoke ceramic ashes urns. She can also recommend reputable funeral industry businesses and individuals working in end-of-life care, other contemporary artists working in the realm of death, and give advice on running a Death Café in your own community.

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18/11/2025

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16/11/2025

A worldwide movement to sing gentle songs to the dying provides comfort, peace and release to both the suffering and the singers

Not far from us, at the foot of Mt.Elephant, if you'd like to stand forever...
16/11/2025

Not far from us, at the foot of Mt.Elephant, if you'd like to stand forever...

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15/11/2025

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Dallas Black | Funeral Celebrant / End-of-Life Doula / Cross-Cultural Death Practices Explorer /Educator

Death is my compass, my measure, my mirror.

My sister died, and growing up, we weren’t to talk about it. I tiptoed through childhood, convinced that if I exhaled her name, my mother might break, or I’d tip the fragile balance that kept things from falling apart.

Beyond the front door, the rules reversed. I grew up inside the belly of the beast—a hard-edged rehab centre - the alternative to a cell or a coffin. I was the director’s child, skipping down corridors filled with lives carrying stories too heavy for their bones. Some fought for life, others begged for death. At home, grief was a maimed creature without a mouth. In rehab, it grew teeth and howled through the walls. At five, I knew: death isn’t always feared—sometimes it’s begged for.

I first held death in my hands in my teenage years, wrapped in twisted metal. I tried to breathe life into my friend, but death arrived immediately. As I sat by his open coffin for days, I began to understand that death can be our greatest teacher—if we’re willing to stay with it, and listen.

Then, the two people I loved most died within days of each other: Nan died of brain cancer, Pop of a broken heart. Before Nan died, she whispered to me, between morphine-laced exhales, a vision of how my life would unfold. Some inherit jewellery or land. I inherited a detailed blueprint for a life she said I’d live, spoken in a palliative care room where lilies tried to outmatch antiseptic. Her last words became my compass—the architecture for my life. Not knowingly followed, only recognised in hindsight—my life had unfolded across the veins of my Nan’s blueprint — as if she’d stitched the path beneath my feet before I knew how to walk it. I wonder if she’d caught a glimpse of the life waiting for me. I feel their guidance still, and believe that we continue, in ways we can’t always see.

Musings on my own mortality multiplied the year I became bound to a hospital bed, unable to walk or move. I floated above the wreckage of myself—bones wrapped in skin that no longer obeyed. Around my bed, I saw women in red cloaks form a circle, their voices rising in hymns and prayers. I’ve come to know that unseen hands hold us when everything else falls away.

During lockdown, my beautiful ex-partner died by su***de. Death is sometimes mercy in disguise. Her funeral felt broken. They got her name wrong, played music she would’ve rolled her eyes at, and everything was beige, for a woman who was anything but. It wasn’t the farewell she deserved. That moment changed the course of my life.

Hers wasn’t the first su***de to touch me, nor the last. I’ve sat with people for their final breath, cut ropes from necks, seen people jump in front of trains, and pulled more people from car wrecks than I think is normal. I’ve looked into eyes that had already decided—glazed yet blazing, haunted and holy. Watching people decide when they’ve had enough reshaped my relationship with death. Whether sudden, prolonged or chosen, painful or peaceful, there’s something soft about holding faith that we’re folded back into the infinite heart of love.

I’ve come to believe our souls circle back. I feel I chose this life before I was born—my family, my country, my circumstances, my gayness. Here with purpose, a contract to fulfil. I’ve stood in places I’ve never been and felt them remember me; met strangers with heart-expanding, soul-level recognition. We become, evolve, and return again and again—stripped of name, skin, and memory, but never light.

I sense what happens when we die is written on the body— the way it loosens its grasp and flows back to source. I see beauty in the way the body caves, becoming dappled with shifting shades. Life’s fading palette holds a raw honesty in the way the body returns. A sacred collapse. A reunion with everything.

I don’t see death as an end, but a return—to source, to truth, to love. I believe we dissolve into pure awareness, a frequency beyond form, a state of perfect knowing and being. We are light, wrapped in temporary flesh. I imagine the body’s last breath is the first exhale into everything.

—Dallas Black (2025)

For the full editorial please visit: https://www.deathletterprojects.com/dallas-black

Editor’s Note: Dallas Black is a funeral celebrant, end-of-life doula, cross-cultural death practices explorer, and educator. Currently completing a Master of Thanatology, she is committed to advocacy, policy reform, and death work for those who live and die at the margins. Her work focuses on improving equitable and compassionate end-of-life care for marginalised and underrepresented communities, including the homeless and prisoners. Dallas also facilitates Deathflow, an immersive workshop that combines movement (yoga), mindfulness, and reflections on mortality, and SHIfT HAPPENS, a school-based program she developed to help young people navigate grief and loss. Further information: www.dallasblack.org

15/11/2025

Australian filmmaker Lynette Wallworth accompanies two palliative care doctors researching psilocybin use deep into the Amazon jungle to see if it can change the end-of-life experience for terminal patients.

“It takes a village to raise a child – it also takes a village to make sure our elders reach safe harbour at the end of ...
13/11/2025

“It takes a village to raise a child – it also takes a village to make sure our elders reach safe harbour at the end of their lives,” she said. “A village of people who are understanding, patient, compassionate, empathetic and who do care.”

Australia's beloved funny woman has crafted her perfect exit plan – including bedside champagne service.

Hopefully we’ll get this at the Theatre Royal đŸ–€
13/11/2025

Hopefully we’ll get this at the Theatre Royal đŸ–€

This astounding documentary traces the uses of psychedelics in palliative care, weaving together medical trials with ancient traditions

On today’s episode of DEAD AIR: My special guests Kate, Stephen, Jane & I had a great chat about the Castlemaine Theatre...
10/11/2025

On today’s episode of DEAD AIR: My special guests Kate, Stephen, Jane & I had a great chat about the Castlemaine Theatre Company’s new production ‘Piece of Mind’
 also a new podcast episode with Doulabarb, Shannon’s Bridge and unpopular opinion #1, an article on alkaline hydrolysis in QLD, and don’t forget to purchase a ticket for this weekend’s online Lifting The Lid International Festival of Death & Dying
 Enjoy đŸ–€
đŸ–€ Live: 94.9fm local frequency or stream mainfm.net Mondays 10-11am AEST
đŸ–€ Later: uploads at hayleywest.com.au/radio & MAINfm Mixcloud

Round 2 ding ding đŸ›Žïž
10/11/2025

Round 2 ding ding đŸ›Žïž

UNPOPULAR OPINION #2

This is probably going to go down like a lead balloon - but hear me out.

Occupational Therapists (OTs) are highly skilleded allied health professionals who help people of all ages perform daily activities and live more independently. They assess functional limitations from illness, injury, or disability and provide therapy using techniques and equipment to improve a person's ability to participate in daily tasks like self-care, work, and leisure activities. OTs work in many settings, including hospitals, schools, and homes, and can help with a wide range of issues, from physical and developmental challenges to mental health concerns.

This works well when the limitation to function is stable or has a goal of improving. Expert input from an OT in the early stages of life-limiting or terminal diagnoses is wonderful.

However, the system as it stands hamstrings OTs and families in providing rapid access to aides and equipment when someone is in end of life care (approximately the last year of life) or terminal phase (last week/days/hours).

That is because caring for someone in end of life care is a changing landscape - with adjustments and new problem solving needed rapidly and usually ‘after hours’.

Unless the family has the health and death literacy (and money!) to know what they need and access it, they can be faced with extremely long wait times for even simple pieces of equipment.

Last week, we had several clear examples of this with are service provider (who specialises in support for people at risk of homelessness) saying they were waiting 8months to get approval for a shower chair (approx $120 to buy). Now, if their clients had money, they could walk into an equipment shop and buy one.

We are aware of families who have purchased hospital beds, hoists, oxygen concentrators and simple 4wheel walkers because they knew that the system couldn’t react in time.

“But what if they buy the wrong thing? Surely it would be better to wait for the OT to see them?”

Yes - I’m an ideal world where OTs weren’t run ragged seeing people, preparing endless reports and fighting to get aides and equipment for their patients through NDIS or the new Support at Home program.

But as a very wise man once said - “You can have it fast, free or perfect
. Pick two!”

The gap between identifying a need and getting equipment delivered often is hours in end of life care. Never seen it happen that fast involving an OT.

When it comes to keeping people in their own homes for their last days, palliative care services are very good at reminding the clinical team at large that if the person has the capacity to make the decision to use a ramp that is 3 degrees too steep and understands the potential issues - then it is no one’s business but the person.

It’s called ‘dignity of risk’.

Another handy phrase is ‘better than nothing’.

If you can loan someone a wheelchair that might not be what the OT has suggested but gives that person the ability to get to his grandson’s footy grand final for the last time - that is better than them missing out and respecting their dignity of risk.

“Oh but she’s lifting him onto an office chair. So unsafe”.

Yup - and they have probably lived that way for longer than you have been alive. All health professionals - including OTs can give advice and suggestions but they are not orders or law. They have ad much right to inspect and approve your fridge contents as they do in approving something you did to ‘make it work’ when your loved one was dying

So, to wind up this rant for the one person who is still reading (Hi Mum!) - I would encourage everyone who works in health to have a think about what they would do for their loved ones if they couldn’t access aides and equipment in a timely and affordable manner. Would you leave them sitting in a hospital bed (which costs the taxpayer upwards of $2,000 a day - just saying) OR would you move heaven and earth and accept something slightly less than perfect for those precious and ever changing last days?

Save our precious OTs for other areas - don’t make them an extra hurdle for families to clear in end of life care

This weekend is the fabulous Lifting The Lid International Festival of Death & Dying . My talk is on at 6.30pm AEDT Sund...
09/11/2025

This weekend is the fabulous Lifting The Lid International Festival of Death & Dying . My talk is on at 6.30pm AEDT Sunday night 16 November. Hope you can make it đŸ–€

Lifting The Lid Festival of Death and Dying - online 72 hours of conversations, workshops, art, and connection as we continue to open up vital, life-affirming dialogues about death and dying. 14 - 16 Nov 2025.

Info & tickets -https://www.tickettailor.com/events/liftingthelid/1853754

As our relationship with death evolves, how can we create meaningful new approaches? Hayley shares how her work across community radio, artistic practice, and the death care space uses creative collaboration to build death literacy and foster new rituals. She’ll explore how artists and death care professionals can work together to evolve traditions and co-create less conventional practices for our diverse communities.

Hayley West is a regionally based death worker and artist whose practice opens creative and candid conversations about mortality. She is the host of DEAD AIR on community radio and operates The Departure, an end-of-life service focused on sustainable, meaningful farewells. Her work fosters death literacy through community collaboration.

https://www.thedeparture.com.au/
https://www.hayleywest.com.au/

Join us online for 72 hours of conversations, workshops, art, and connection as we continue to open up vital, life-affirming dialogues about death and dying.
14 - 16 November 2025.

Tickets (various affordable options) and full schedule with international time zones available now at https://buytickets.at/liftingthelid/1853754

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