گروه معماری واقعی

گروه معماری واقعی گروه معماری واقعی

the kitchen 3d max & V-RAYarchreal group
07/11/2014

the kitchen
3d max & V-RAY

archreal group

15/08/2014
15/08/2014
باحال بود..هــه
05/06/2014

باحال بود..

هــه

آزمــــون کآرشناسی ارشـــد نا پـــیوسته دانشگاه آزادسال1393
05/06/2014

آزمــــون کآرشناسی ارشـــد نا پـــیوسته دانشگاه آزاد

سال1393

05/06/2014
08/05/2014

Posted by Daxa Panchal #50

08/05/2014

Saturday morning, 2012
.
This one is an old one.. I just got a little too busy this morning to do a new one, and while I was looking around for old files, I came upon this one and thought..ha.. I liked that one.. I didn't like it when I did it, but now, with the years in between, I like it.
I know it's pretty typical, but .. I am always surprised how this works.
For instance.. I don't "love" much of the stuff I've done this year, and I was feeling the same last year, and the year before, and the year before that... but that is just because I have an image in my head and when I fail to recreate the exact same thing on paper( or on the screen) I feel like I totally failed... and don't bother to see all the new things that have crept in and that are actually pretty good... and most of all, as artists, we have this awful tedency to think ONE detail that is a little off will ruing the ENTIRE image, even( especially) when this detail has nothing to do with the actual message of the image...for example.. I really wasn't happy with how the images on the dresser came out in this one at the time, and how the shoes ended up being drawn... but now, I wonder..how many people actually took notice of that? How many people cared?
I am just saying this because so often I see younger artists( or not that young) fuss over this or that detail, or how their bounce lights are not that great, or how their colors are sooooooo off... but if they just wouldn't say anything about it and let the audience just enjoy the image for the message it has, they might realize , in the bigger scheme of things..it doesn't matter .
That's just my opinion anyhow.
I am looking at this piece and thinking...ha.. pretty good, pretty good... I still am not totally ok with some of the details, but that's the same with everything in life.. nothing and nobody's perfect... and sometimes these little imperfections are part of the charm... no?

08/05/2014

RESIDENTIAL DESIGN AWARD OF HONOR

House by the Creek, Dallas, Texas
MESA, Dallas, Texas

AWARDS

ASLA 2013 Professional and Student Awards Call for Entries
Each year, the ASLA Professional Awards honor the best in landscape architecture from around the globe, while the ASLA Student Awards give us a glimpse into the future of the profession.

Award recipients receive featured coverage in Landscape Architecture Magazine, the magazine of ASLA, and
in many other design and construction industry and general interest media. Award recipients, their clients,
and advisors will be honored at the awards presentation ceremony during the ASLA Annual Meeting and EXPO in Boston, November 15–18, 2013.

The prestige of the ASLA awards program relies in large part on the high caliber of the juries convened each year to review submissions. The ASLA Honors and Awards Advisory Committee seeks to assemble juries that represent the breadth of the profession, including private, public, institutional, and academic practice, and exemplify diversity in professional experience, geography, gender, and ethnicity.

2013 Professional and Student Awards Call for Entries

Entry forms and payment must be received by:

Friday, February 8, 2013, for Professional Awards
Friday, April 26, 2013, for Student Awards
Submission binders must be received by:

Friday, February 22, 2013, for Professional Awards
Friday, May 17, 2013, for Student Awards



THE DESIGNS ABOUT LANDSCAPE ARCHITECTURE

Think of iconic places like New York City's Central Park and the FDR Memorial in Washington, D.C. But also consider your downtown square, your local park, or even your own backyard. Green roofs, urban farms, corporate campuses—all define landscape architecture. Types of projects include:



School and college campuses

Corporate and commercial grounds

Public gardens and arboreta

Historic preservation and restoration

Hotels, resorts, golf courses

Hospital and other facility sites

Interior landscapes

Land planning

Landscape art and earth sculpture

Monument grounds

Parks and recreation

Land reclamation and rehabilitation

Residential sites

Security design

Streetscapes and public spaces

Therapeutic gardens

Transportation corridors and facilities

Urban and suburban design

Water resources


WHAT'S THE

BIG IDEA

It's brainstorming, sketching, or otherwise imagining what will make the site special. Will a park include an amphitheater or an athletic field? Should the space use a green roof, water system, or solar panels? Landscape architects use initial drawings (like this video) or 3-D models to propose the big ideas. If it's a large public project, there may be more opportunity for public feedback.

All 50 states require landscape architects to earn a license to practice, ensuring that the designs protect the health, safety, and welfare of all users. In fact, you can't even call yourself a landscape architect without a license.

DESIGNING A LANDSCAPE ARCHITECT EDUCATION

Think you have what it takes? Landscape architects typically hold a bachelor's or master's degree in landscape architecture, covering a broad spectrum of design, science, and technical know-how. Topics include site design, historic preservation, planning, grading and drainage, horticulture, and even subjects like psychology.

More than 60 schools offer bachelor's or master's programs across the country. Many graduates will go on to work in landscape architecture or other design firms. Organizations with large amounts of land to manage will also employ landscape architects. Companies like Disney, federal government agencies like the National Park Service, local government agencies, parks and recreation departments, universities, and others all staff landscape architects.

College campus? Check. Downtown park?
We got that. Hospital grounds? Neighborhood plans? Public gardens? All of that and more. Landscape architects design almost anything under the sky.

HIGH LINE

RELATED DESIGN PROFESSIONS
Architects — Primarily design buildings and structures with specific uses, such as homes, offices and schools.

Civil Engineers — Apply scientific principles to the design and construction of public infrastructure such as roads, bridges and utilities.

Urban Planners — Develop a broad, comprehensive overview of development for entire cities and regions.


DESIGNING WITH OTHERS LANDSCAPE ARCHITECTURE COLLABORATION

Landscape architects design, often working with landscaping or other construction companies to install those designs. Think of the fashion designer imagining an outfit while a clothing manufacturer makes the apparel, or an artist designing a wall poster that's printed by another company. Landscape architects and contractors are complementary but highly distinct professions.

Beyond construction companies, landscape architects often collaborate with a whole host of other professionals to make up the design team. A project like the High Line not only includes landscape architects, but architects, engineers, and multiple contractors as well. Other projects may include planners, horticulturists, soil scientists, medical professionals, or other specializations in order to solve the design challenge.


BREAKING GROUND

AND BEYOND

A landscape architect's job doesn't end with the final plan. The designers routinely visit the site, meet with the client, and work with the construction team to ensure all goes smoothly. After completion, landscape architects evaluate the success of the project and, depending on the client, continue to oversee management of the site post-construction. Many cities and counties have their own landscape architects on staff to manage all the parks and public land.






BENEFITS OF LANDSCAPE

ARCHITECTURE

DESIGNING
AWESOME

Restoring endangered wetlands, reducing hospital stays, securing government and other buildings, removing toxins from rainwater — these aren't pie in the sky. It's what landscape architects are designing right now. A few examples include:

Healing gardens — Working with medical professionals, landscape architects create landscapes that reduce stress, boost the immune system, improve Alzheimer's symptoms, encourage physical activity, and reduce time spent in hospitals.

Bioremediation — Landscape architects use natural systems of plants, fungi, or soil microbes to transform formerly polluted industrial sites into a safe and valuable public green space.

Green Roofs — Instead of a black tar roof, a living system of plants and soil can actually reduce air temperature by 59 degrees in the summer, save winter heating costs, clean and store rainwater, and provide habitat to pollinating insects and birds.

Energy Savings — Landscape architects can utilize trees, shrubs and other plants to lower a home's heating/cool costs by as much as 50 percent in the summer and up to 8 percent in the winter.

LEARNING THE

LANDSCAPE

Design starts here. Before breaking out the sketch pad, landscape architects need to figure out what the client needs, research the site, identify possible uses, and, depending on the project type, solicit community input. In fact, much of landscape architecture focuses on the analysis, planning, and stewardship of the land before any design begins.





intentio pro hodie cras | Alexander AD


Source : American Society of Landscape Architects | Contributing Editor : Alexander AD

07/05/2014
10/04/2014

BISPEBJERG BAKKE

135 rented accomodation dwellings measuring 82-140 sq.m. A single apartment is 229 sq.m.

Client
Bispebjerg Bakke I/S
Haandværkerforeningens Fond (Alderstrøst)
Realdania - Foundation for the Built Environment in the form of Realdania Ejendomme A/S

Artist and architect
Professor Bjørn Nørgaard, sculptor, in collaboration with Boldsen & Holm Arkitekter, MAA

Landscape Architect
Knud W.Ø. Larsen Landskabsarkitekter MDL

Engineer
Grontmij | Carl Bro

Contractor
NCC Construction A/S

Timeframe
Occupancy from 2007

Apartments
135 rental apartments, 85-229 sq. m.

Bispebjerg Bakke is an apartment complex in the Bispebjerg district of Copenhagen, Denmark. It was designed by leading Danish sculptor Bjørn Nørgaard.

History

The idea of building Bispebjerg Bakke was conceived in 1997 by Klaus Bonde Larsen, chairman of the Copenhagen Association of Crafts, and Professor at the Royal Danish Academy of Fine Arts and sculptor Bjørn Nørgaard. Both sat on the Committee for the Protection of Traditional Craftsmanship (Udvalget til sikring af traditionelle håndværk), which had been appointed by the Minister of Culture and the Minister of the Environment. The idea was to demonstrate that good buildings, in terms of design, craftsmanship and materials, can compete with today’s industrialized construction industry.

The small architectural practice Boldsen & Holm, with which Nørgaard had previously collaborated on Dahlerups Plads on the Copenhagen waterfront, was brought in as architects. The first models were executed in clay and Nørgaard has mentioned music as a source of inspiration for the design. Due to the unusual collaboration between artist and architect, the Realdania foundation decided to support the project and later in the process Realea, Realdania's subsidiary property company, took over the role of building owner.

The initial ambition to prove that it was possible to construct high quality buildings with traditional craftsmen instead of contracting firms and industrial building methods had to be moderated along the way. In the end. NCC was hired and concrete sections had to be introduced.

Construction started in August 2004 and the building was completed in 2006.

Architecture

Bjørn Nørgaard was inspired by music when he made the first model of the complex which he moulded in clay. It consists of two buildings that wind like a serpent down the sloping site. The buildings are generally three to four storeys high, in places rising to eight storeys. The complex contains a total of 135 apartments.

In accord with the ethos of the project, it is generally executed in high quality materials. It is built with full-brick walls in a combination of red and yellow coal-burned bricks, a reference to the traditional apartment blocks in the Nørrebro working-class neighbourhood where red was used on the street and yellow on the courtyard side of the houses. The building has detailing in red and yellow glazed Chinese tiles on balconies and in the entrance halls leading to the staircases. Windows are made of wood and aluminium, roofs are capped with a combination of zinc or copper.

http://en.wikipedia.org/wiki/Bispebjerg_Bakke_%28building%29

http://www.realdaniabyg.dk/Ejendomme/V-ae-lg%20ejendom/Project.aspx?id={D9D1B5D3-ECF2-40A2-8C7E-018B5E22D329}&imggroup={56E7BA27-0F19-46B1-94BA-D7E024E83F7D}&img=3

http://www.realdaniabyg.dk/upload/bispebjerg_bakke_web_uk.pdf

10/04/2014

Contribution to the Copenhagen International Wood Festival last year. Intention The intention is to create a beautiful, varied and surprisingly simple structure which shows the potential of laths, through a study of detail, form and light, that can involve the viewer. Architecture / Design A cube is built, and it’s sides is opened providing access to people and lights, and opportunity to look in and out. The structure is changing as one moves around it, from being a closed strongly geometric cube it gradually dissolve and become more and more organic, as laths inside is rotated and displaced, creating a organic paraboloid like shape. The organic shape inside, splits the cube into 2 rooms, a extrovert which opens to the park, and an introvert more private space. Light the structure is physically static, yet changeable through the viewer and the sun’s position that through the day opens and closes for the light to pass. The structure can both be seen as a cube and an organic form, depending on light and angle (time and place) the lines from the two modes interfere and one of the two forms dominate. Materials 1000m laths, Dimension 45x45mm. Construction construction of the cube-shaped pavilion started as a simple stacking of 3.2 m-long laths, it helps to provide uniform spacing between laths. Simultaneously fitted the organic distributed laths inside the cube also serves as the cross struts which helps to stabilize the structure. When the cube is finished, cut holes are made along the distributed laths. Leftovers The excess material from the cuts is used to make smaller cubes to sit on or play with. Team Soren Korsgaard, March, architect m.a.a. Daniel Nielsen, architect March, architect m.a.a. www.sorenkorsgaard.com

https://www.facebook.com/media/set/?set=a.506202669425575.1073741825.256374741075037&type=3
10/04/2014

https://www.facebook.com/media/set/?set=a.506202669425575.1073741825.256374741075037&type=3

Michael Scott represented Ireland for the first time at the New York World's Fair in 1939; his shamrock shaped building was chosen by international judges to be the best at the show.Scott felt that a national style or character was in the use of materials (concrete, steel and glass), its function and climate not the external shape of the building. One of his philosophies was to integrate art and architecture and some of Ireland's greatest modern painters were given a place in the pavilion- Sean Keating, Maurice MacGonigal, Evie Hone and Mainie Jellett were among the artists that were represented. For more information visit: http://archiseek.com/2011/1939-irish-pavilion-new-york-worlds-fair/ #.UUqIhDCeN6R

Greenhouse Botanical Garden
10/04/2014

Greenhouse Botanical Garden

Architects: idA
Location: Grüningen, Switzerland
Area: 180 sqm
Year: 2012
Photographs: Markus Bertschi, Ladina Bischof

More info & pictures:
http://id-a.ch/projekte/07048_bog

Researched by: alessandra gargiulo

Address

Sorkhrud

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