Sheri's Modern Beauty & Wellness

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01/25/2026
01/21/2026
It also says when they attacked (their words) a Baptist church, many were rushed to the hospital after multiple shooting...
01/20/2026

It also says when they attacked (their words) a Baptist church, many were rushed to the hospital after multiple shootings

ST. PAUL, MN — According to sources, membership at a local pentecostal church failed to notice when protestors stormed the building and began screaming at everyone because it wasn't at all dissimilar from a typical pentecostal service.

01/17/2026

Everyone knows her as the giggling 'dumb blonde' from the 1960s who won an Oscar at 23—but almost nobody knows she quietly built a brain science program that's now taught emotional resilience to 6 million children in 48 countries. In 1968, when Goldie Hawn appeared on TV covered in body paint and a bikini, giggling her way through comedy sketches as the show's ditzy blonde, a women's magazine editor confronted her. "Don't you feel terrible that you're playing a dumb blonde?" the editor asked. "While women are fighting for liberation, you're reinforcing every stereotype. "Goldie's response was immediate: "I don't understand that question because I'm already liberated. Liberation comes from the inside. "At twenty-two, Goldie Hawn understood something that would define her entire life: you don't have to play by anyone else's rules to be free. You just have to know who you are. And she did. Born in Washington, D.C., Goldie grew up training seriously as a ballet dancer—a discipline requiring precision, control, and relentless self-awareness. When she transitioned to comedy, those skills came with her. Her persona on Rowan & Martin's Laugh-In was carefully crafted: the giggling go-go dancer delivering punchlines through high-pitched laughter. She became a 1960s "It Girl" almost overnight. But what looked like spontaneous silliness was actually masterful comedic craft. Her giggle wasn't random—it was strategic. Her wide-eyed innocence wasn't naivete—it was performance. She played the dumb blonde so well that people missed the intelligence underneath. And that was exactly the point. In 1969, Goldie won both the Academy Award and Golden Globe for Best Supporting Actress for Cactus Flower. She was twenty-three years old. Her film career exploded. But by the late 1970s, Goldie recognized an uncomfortable truth: actresses, no matter how successful, rarely controlled their own narratives. So she became a producer. In 1980, she co-produced Private Benjamin with friend Nancy Meyers. Studios dismissed it as "too female," predicting audiences wouldn't pay to see a woman's story about independence. Goldie ignored them. Private Benjamin became a massive box office hit and earned three Oscar nominations. She continued producing and starring in successful comedies throughout the 1980s and 1990s, crafting characters who laughed at their own pain and weaponized humor against aging and sexism. But offscreen, something even more remarkable was happening. While her peers chased youth through surgery and desperate career moves, Goldie turned inward. She'd been meditating since the 1970s, long before mindfulness became trendy. She studied neuroscience, positive psychology, and how the brain works. This wasn't celebrity dabbling. This was serious, sustained study. And in 2003, it led to what might be Goldie's most important work. Alarmed by increases in school violence, youth depression and su***de, Goldie founded The Goldie Hawn Foundation. Working with leading neuroscientists and educators, the foundation developed MindUP—an evidence-based curriculum teaching children social-emotional skills and mindfulness. MindUP teaches children how their brains work, how to manage stress through "brain breaks," how to regulate emotions, build empathy, and develop resilience. The program is based on actual neuroscience. Research has shown that students using MindUP demonstrate improved focus, increased empathy, better academic performance, and higher levels of optimism. "If students take two minutes for a brain break three times a day," Goldie explained, "optimism in the classroom goes up almost 80 percent. "The program has now served over 6 million children in 48 countries. Read that again: 6 million children. 48 countries. The "dumb blonde" from the 1960s quietly built a global program that's teaching emotional resilience to millions of kids—many of whom have no idea who Goldie Hawn even is. This work—sustained, focused on children most people in Hollywood never think about—might be Goldie's most enduring legacy. Throughout all of this, she's maintained remarkable stability. She's been with Kurt Russell since 1983—over forty years together without marrying. She raised four children who've pursued their own careers with her support. Now in her late seventies, Goldie remains selective about her projects. She took a fifteen-year break from film, returning in 2017 for Snatched with Amy Schumer—who had grown up watching Goldie's films and wanted to work with her. When asked about ageism in Hollywood, Goldie's response was characteristically pragmatic: "You think you're going to fight the system? Anger doesn't get you anywhere. It's not productive. "Instead of fighting battles she couldn't win, she changed the battlefield. She produced. She built a foundation. She taught millions of children. She lived life on her own terms. Looking back, Goldie Hawn's life reveals a consistent pattern: she never let anyone else define her worth. When critics dismissed her as a dumb blonde, she won an Oscar. When Hollywood tried to limit her to acting, she became a producer. When fame threatened to consume her, she turned to meditation and neuroscience. When she saw children struggling, she built a global program to help them. The giggle that made her famous was never the whole story. It was the disguise that let her do everything else. Goldie Hawn proved that you don't have to shout to be powerful. You don't have to reject femininity to be feminist. And you don't have to choose between success and substance—you can have both, as long as you know who you are. She smiled her way through a system designed to limit her, then quietly built an empire that had nothing to do with that system's approval.6 million children in 48 countries have learned emotional resilience from a program created by the woman America knew as the giggling blonde in a bikini. That's not just a career. That's a masterclass in playing the long game. Because the greatest act of resistance isn't fighting the stereotype. It's using it as cover while you do the real work. And Goldie Hawn has been doing the real work for more than fifty years.

Women should listen and support one another. No one else will.
01/16/2026

Women should listen and support one another. No one else will.

At 74, America's most beloved comedian dressed in rags and slept on heating grates. They hospitalized her. Critics hated it. She did it anyway—because someone had to. November 5, 1985. Millions of Americans turned on CBS expecting to see Lucille Ball do what she did best: make them laugh. Instead, they saw Lucy—their Lucy—unrecognizable. No red hair. No glamour. No perfectly-timed physical comedy. Just a 74-year-old woman in filthy clothes, pushing a shopping cart that held everything she owned, sleeping on Manhattan streets, invisible to the world walking past her. Lucy was playing Florabelle, a homeless elderly woman in the TV movie Stone Pillow. And she named the character after her grandmother—Flora Belle Hunt, a pioneer woman who'd survived impossible hardships. America didn't know what to do with it. For 50 years, Lucille Ball had been the face of American comedy. She'd built an empire. She was the first woman to own her own television studio. She'd made three generations laugh until they cried. At 74, she was wealthy beyond measure. She could've spent her remaining years accepting awards, doing talk shows, living comfortably on her legacy. Instead, she chose the hardest role of her life. The script for Stone Pillow landed on her desk in 1985. It told the story of elderly homeless women—the ones society refused to see. The invisible women sleeping on heating grates, pushing shopping carts, dismissed as "bag ladies. "In 1980s America, homelessness was exploding. But television pretended it didn't exist. And nobody was talking about elderly women living on streets—abandoned by families, failed by systems, erased by society. Lucy saw an opportunity to use her fame for something that mattered. She knew the risks. She knew audiences wouldn't want to see their Lucy dirty, unglamorous, heartbreaking. She knew critics might savage her. She knew it could damage the image she'd spent decades building. She said yes anyway. Production was brutal. They filmed on location in New York City during an unseasonable May heat wave. Lucy, at 74 with existing health issues, wore multiple layers of heavy clothing—winter clothes in sweltering heat—because the story was set in winter. She walked city streets for hours. She slept on actual heating grates. She pushed a shopping cart through Manhattan. She looked homeless because she was portraying homeless. The heat and physical demands hospitalized her for two weeks with severe dehydration. Doctors discovered she was allergic to cigarettes—after 56 years of chain-smoking. But Lucille Ball—the same woman who'd broken her leg during I Love Lucy and kept working in a cast—pushed through. She was determined to honor the women this story represented. When Stone Pillow aired, the ratings were impressive. Over 23 million people tuned in—partly from curiosity, partly from loyalty to a legend. But critics were divided. Some praised her courage. Others were harsh: "We don't want to see Lucy like this." "Too depressing." "Uncomfortable. "Many viewers felt the same way. They wanted Lucy Ricardo making them laugh, not Florabelle making them confront uncomfortable truths about elderly homelessness. Lucy expected it. That was the point. In interviews, she was clear: she didn't make Stone Pillow for universal praise. She made it to spark conversation. To make people see the elderly homeless woman on the street as a person with dignity, with a story, worthy of compassion. "Maybe next time you walk past someone sleeping on the street," she said, "you'll remember they're a person. They have a story. "Four years later, on April 26, 1989, Lucille Ball died at 77 from a ruptured aortic aneurysm. She'd spent six decades entertaining America—from vaudeville to the golden age of television to becoming Hollywood's most powerful female executive. But in her final major acting role, she chose to be unglamorous. Uncomfortable. Real. Not for laughs. Not for awards. But because elderly homeless women were invisible, and Lucy Ball had the fame to make people see them. That's what courage looks like at 74: Risking everything you've built to shine light on people everyone else ignores. Stone Pillow isn't what people remember about Lucy. It's not her greatest work. It didn't win major awards. Most people have never heard of it. But it reveals something profound about who she was when the cameras weren't making her a comedy icon: She cared more about using her platform for good than protecting her image. Lucille Ball: 1911-1989The comedian who made the world laugh.
The pioneer who broke every barrier for women in television.
The executive who built her own studio.
The 74-year-old who played a homeless woman because nobody else with her platform would. On November 5, 1985—39 years ago today—Lucy took the biggest risk of her legendary career. Not for applause. Not for profit. But to make invisible people visible. That's the Lucy Ball story that doesn't get told enough. The one where she chose courage over comfort. Purpose over praise. Impact over image. At 74, when she had nothing left to prove, she proved what matters most: How you use your voice when you have one.

01/16/2026

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These products came to fruition after a breast cancer scare. After a little research, I found that all of the products available over the counter had many carcinogens in them. That’s when I realized that I needed to create my own face and body products. All of my products are all natural, handcrafted, vegan, n0n-vegan, and non-toxic for the face and body they are also chemical and preservative free. They have an incredible impact on lines, texture, and the health of the skin.