Hilde NIJS

Hilde NIJS hildenijs.com

From the ungoing series 'Human Environment'HUMANS _____________ DEPEND ON                _____________ ADAPT            ...
22/04/2024

From the ungoing series 'Human Environment'
HUMANS _____________ DEPEND ON
_____________ ADAPT
_____________ MODIFY
Re the physical, social, and economic components, conditions, and factors which interactively determine the state, condition, and quality of living conditions, employment, and health of those affected, directly or indirectly, by activities occurring the planet

Betreft de fysieke, sociale en economische componenten, omstandigheden en factoren die op interactieve wijze de toestand, conditie en kwaliteit van de levensomstandigheden, werkgelegenheid en gezondheid bepalen van degenen die direct of indirect worden getroffen door activiteiten die op de planeet plaatsvinden. Hilde NIJS 2022

09/12/2023

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Artist’s Statement

hildenijs.com

As an eleven year old painting artist I won a first prize in Ostend and was offered my initial oil painting set on the occasion. The smell of oil, the childish fascination for objects, my unrestrained imagination and drive for analysis have determined my further career as an artist. There was no way back. I chose for a childless life in order to stay focused on my passion. “Art is my child, and life a struggle for Art”.

My preference for multidisciplinarity has always been very strong and the result of years of experimenting. My sculptures, installations, paintings, drawings and monotypes are a mix of methods rooted in artistic painting, photography, graphic ans digital techniques, ceramic and stained glass. These combined disciplines form a basis for two- and three-dimensional artistic composition and assemblage. Objets trouvés, paraphernalia, photographs, textiles, glass, ceramic... become a visual completion in my drawings and paintings.

To me life is an “adventure into the unknown” and so is the world of Art. Our rapidly changing society and the continuous switch of events offer infinite opportunities to the artist. The interaction between individuals and between groups of people are my ultimate fascination. In these turbulent times I feel confronted with existential questions about “la condition humaine”.