Bodmin Pagan Moot

Bodmin Pagan Moot Founded 15th January 2012, Bodmin Moot, is for People of all beliefs to meet in the real world, to exchange views, hold events and learn from each other.

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Sága is a Norse goddess associated with wisdom, history, and storytelling, residing in her hall, Sökkvabekkr, where she ...
07/03/2026

Sága is a Norse goddess associated with wisdom, history, and storytelling, residing in her hall, Sökkvabekkr, where she drinks with Odin. Often interpreted as a seeress (derived from Old Norse sjá, "to see"), she is mentioned in the Poetic Edda and Prose Edda. She is also sometimes considered an aspect of F***g.

Key Aspects of the Goddess Saga:

Role: Known as a goddess of history, prophecy, and storytelling. She represents the preservation of knowledge and memory.

Abode: Resides in Sökkvabekkr (or Sökkvabäck, meaning "Sunken Bench" or "Sunken Brook"), a place characterized by cool, flowing waters.

Connection to Odin: According to the Grímnismál (in the Poetic Edda), she drinks daily with Odin from golden cups, engaging in deep, joyous conversation.

Identity Theories: Some scholars view her as a distinct, wise goddess, while others propose she may be another name for F***g, or a personification of the history of the gods.

Etymology: The name Sága is connected to the Old Norse saga, meaning "story" or "tale," and sjá, meaning "to see," implying a connection to the seeress role.

Modern Interpretation:
In 19th-century interpretations, she was often identified as the "goddess of history". Today, she is sometimes honoured in modern paganism as a guardian of knowledge and memory.

Tonight's Moot Fayre: Orange and Chocolate Shortbread Biscuits. (All Organic)
04/03/2026

Tonight's Moot Fayre: Orange and Chocolate Shortbread Biscuits. (All Organic)

04/03/2026
GefjunGefjun (pronounced “GEV-yoon” and sometimes spelled “Gefjon,” “Gefiun,” or “Gefion”) is an ancient Norse goddess o...
28/02/2026

Gefjun

Gefjun (pronounced “GEV-yoon” and sometimes spelled “Gefjon,” “Gefiun,” or “Gefion”) is an ancient Norse goddess of agriculture, fertility, abundance, and prosperity. Her name is derived from the Old Norse verb gefa, “to give,” and her name can be translated as “Giver” or “Generous One.”

Most of our information about Gefjun has been filtered through the mind and pen of the thirteenth-century Icelandic historian Snorri Sturluson. While Snorri’s retellings of Norse mythology can’t be accepted uncritically, his descriptions of Gefjun surely do contain much that is authentic.

As Snorri tells it, Gefjun traveled through Sweden disguised as a homeless woman. When she appeared before the generous King Gylfi, he granted her as much land as four oxen could plow in one day. Gefun summoned her four sons, which she had had by an unnamed giant, and turned them into oxen to plow the land. Not only did they plow the land; they also dragged it from Sweden, where the resulting depression became the lake Mälaren, and out into the ocean, where it became the Danish island of Zealand, upon which the city of Copenhagen is today located.

A similar, but shorter and more ambiguous, version of this same story can be found in the ninth-century poem Ragnarsdrápa by Bragi Boddason. This poem probably formed much of the basis of Snorri’s version.

Associations between an earth goddess of prosperity and the act of plowing were common throughout the pre-Christian religion of the Norse and other Germanic peoples. The name of the goddess Fjorgyn, which by the Viking Age had come to be used as a synonym for “earth,” is likely derived from a Proto-Indo-European word for “furrow.”

Another example of this tendency is an Old English prayer to an otherwise unattested goddess named “Erce” that was recited when the fields were first plowed in the spring. While it was recorded after the conversion to Christianity, it certainly originated in the pre-Christian period. In it, the Christian god is assimilated to a classic pagan Indo-European role: the sky god who fertilizes the earth goddess in the hieros gamos (“divine marriage”). H.R. Ellis Davidson translates the charm as follows:

Erce, Erce, Erce, Earth Mother,
may the Almighty Eternal Lord
grant you fields to increase and flourish,
fields fruitful and healthy,
shining harvest of shafts of millet,
broad harvests of barley…
Hail to thee, Mother of Men!
Bring forth now in God’s embrace
filled with good for the use of men.

The association with the island of Zealand also suggests a connection between Gefjun and Nerthus, another earth mother goddess whose cult was also said to be cantered in Zealand.

There are few other references to Gefjun in Old Norse literature. In the Eddic poem Lokasenna, Loki accuses Gefjun of having exchanged s*x for precious jewels, something that the goddess Freya is also said to have done. Since Freya was also an earth goddess of “peace and plenty,” this passage raises the question of the degree to which Freya and Gefjun can be distinguished from one another. Indeed, one of Freya’s other names is Gefn, which is also derived from the verb gefa and also means something like “Giver” or “Generous One.”

In any case, Gefjun’s apparent promiscuity makes Snorri look rather ridiculous when he claims that Gefjun is a virgin and that girls who die virgins go to her company when they die.[10]

In conclusion, then, Gefjun can hardly be distinguished from other Germanic goddesses of the “earth mother goddess” type, which includes Freya, F***g, Nerthus, Fjorgyn, Jord, Sif, and others. This is not to say that they were all necessarily thought of as being the exact same goddess, but rather that they’re multiplications of and slight variations of the same type of goddess.

Why didn’t the Norse and other Germanic peoples just have one single goddess of this type, then? To modern tastes, that would have made things more efficient by eliminating redundancy. But one of the defining traits of ancient Germanic religion was its lack of systematization and rationalization, and the fluidity that existed between various divine figures. You could say that the “earth mother goddess” of fecundity was a divine model buried somewhere deep within the Germanic psyche (regardless of the degree to which you might ascribe this to “nature” or “nurture”)

I had a moment and wrote these lyrics, inspiration comes when you least expect it and this is the result:
25/02/2026

I had a moment and wrote these lyrics, inspiration comes when you least expect it and this is the result:

Iðunn is the Norse goddess of youth, rejuvenation, and spring, famously responsible for guarding the golden apples that ...
21/02/2026

Iðunn is the Norse goddess of youth, rejuvenation, and spring, famously responsible for guarding the golden apples that grant the Aesir gods immortality and prevent them from aging.

As the wife of the poetry god Bragi, she resides in Asgard and symbolizes vitality and fertility.

She is a central figure in Norse mythology, known for her abduction by the giant Þjazi, which caused the gods to age.

Key Details About Iðunn:

Role & Symbolism: Guardian of the rejuvenating golden apples, representing eternal youth, fertility, and spring.

Mythology: In the Prose Edda, her kidnapping by Loki and the giant Þjazi forces the gods to rescue her, lest they grow old and feeble.

Family & Association: Wife of Bragi; sometimes associated with the goddess of spring and renewal.

Characteristics: Described as a, fair, wise, and nurturing figure.

Name Pronunciation: Often pronounced "Ee-doon" or "Edon".

Iðunn is crucial to the Aesir's survival, ensuring they remain strong and youthful, making her a vital, rather than merely decorative, deity in the Norse pantheon.

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