19/04/2026
LA SHAY CHAIR DANCE (Chair Burlesque)…..NECK, SHOULDERS, BACK, HIPS, KNEES & TOES, KNEES & TOES…..A PHYSIO’S TASK-ANALYSIS AND EXPERIENCE (I really hope I do justice to all the amazing dancers and instructor La Shay).
Anyone who knows me knows, as a physiotherapist, I love understanding and finding my patient’s individual ‘WHY’ to their symptoms / issue.
So, on Saturday 18th April, the amazing La Shay put on a Chair-Burlesque-Dance-Masterclass, at the awesome gym at Caistor….3 friends and I got the opportunity to join in with Bella’s wonderful dancers.
Now…..there is a very fine line between ‘Burlesque Goddess’ (the others) and ‘Raygun’ (the OZ Olympic breakdancer) attempting a seductive body roll on a chair ’ (me) 🙄
Chair-burlesquers are basically sexy athletes…..and I had a great session task-analysing movements!
Overall conclusion - I am a better physio than chair-dancer 😉
After a fun & inspiring, 2-hour chair-dance masterclass, learning an ‘easy’ routine, here are my key physio observations (Burlesque-specific injury studies are limited) but, the injury patterns are fairly predictable, so here are the main burlesque ‘risk areas’.
LOWER BACK (lumbar spine)
One of the most common injuries in dancers (or generally in my clinic).
Repeated arching, sway-back positions, twisting, sway-back positions and poor control through the pelvis can irritate the facet joints, discs, SI joints and paraspinal muscles.
Chair-burlesque lower back can feel like;
- Muscle ache or spasms either side of the lumbar spine after back bends or floor work.
- One-sided “locked” feeling after twisting.
- Pain on getting up from sitting.
- Worse after long rehearsals.
- Referred ache into the glutes, the buttock(s).
- Inflammation flare ups central or one sided lower back.
NECK (cervical spine)
Being ‘whiplashed’ in a seductive, sexy, hair-flicking way (although, not with my crazy, short mop-head hair!).
Dramatic head turns and sustained ‘chin up, chest up’ postures can overload the upper trapezius, sternocleidomastoid and scalene muscles….which may result in stiffness, headaches, pain turning the head and sometimes a mild whiplash-type feeling the next day (or during a routine learning).
QUADS
These require some good baseline strength to be able to deep squat, squat and hold, knee rotations, step up and down from your chair, drop into a crouch position and back up……then repeat, repeat, repeat and ‘let’s take it from the top again’ 😆
CALVES
What more can I say……they just want to cramp up from the ‘tiptoe’ positions. Cramping usually comes from over-loading, poor stamina, dehydration, fatigue and that can lead to sprains, strains and even ruptures (same for quads and hamstrings….I do know an ace physio who LOVES a good muscle rupture though - sad sad sad I know, but gotta love an enthusiastic physio 🫣).
HAMSTRINGS
The obvious one!
Either too tight or infinity-long, they are begging for length & strength.
Front splits, high kicks, straddles and floor-based leg drags put a lot of strain through the proximal hamstring.
Tight hamstrings can pull the pelvis into a position that increases lumbar strain.
HIPS
They will either ‘look at me go’ or ‘absolutely not’ when externally rotation is needed.
Burlesque asks for a lot of turnout and external rotation. If the hips do not have enough true range, the body ‘steals’ movement from the knees, feet and lower back instead….resulting in medial knee ache, Sacroiliac joint pain, groin tightness, piriformis irritation, lower back pinching.
CORE
Working hard to not accidentally launch yourself off the chair…..is one good reason to get these strong. The abdominals don’t usually injure as stand alone muscles, but having a weakness here will affect the back / hips / thoracic / neck / shoulders / calves……actually……the whole body is affected and at risk of fatigue and therefore injury.
UPPER BODY (Thoracic & shoulder girdle)
Doing more rotations, pulling, gripping and holding than you realise.
Again, repeated end range holds combined with repeated end range rotations can cause friction -> inflammation -> muscle spasms.
The slower, smoother and more graceful a movement looks, the harder some muscles need to work.
Chair-Burlesque-Dancing is a symbiosis of balance, strength, mobility, coordination, confidence, chaos, proprioception, laughter, maths, maintaining eye contact, body-awareness, continuing to smile and….pretending I meant to do that move anyway.
Overuse, inflammatory injuries, due to practice volume and repetitions during learning new routines & choreography fits this kind of movement / exercise.
But wait…..lots of ‘pre-hab’ and areas to work on….
Train like a dancer!
Warm up like an athlete!
Then recover like you are 87…..
- Squats and sit-to-stands for quads, both done fast & slow.
- Calf ‘bouncing’, toe-walking & toe-standing for endurance.
- Hamstring stretches & single leg deadlifts.
- Hip mobility, especially external rotation mobilisations.
- Glute strength, dynamic and asymmetrical.
- Rotational & anti-rotational core work for lumbar stability without losing the mobility.
- Upper body pulling strength, dynamic upper cross work (this will support the neck, thoracic and shoulder girdle).
- Neck mobility and deep stabilisers (so those hair flicks and swoops look glamorous).
There …. Chair-Burlesque is not just sexy.
It is glutes, calves, hamstrings, mobility, lower back / thoracic / neck control…..and surviving 47 dramatic hair flicks and swoops without needing pain medication!
On another, non-physio-but-important note…..
Chair-burlesque is not just exercise.
It is confidence training disguised as dancing.
You leave feeling taller, stronger and somehow more put together.
There is something really powerful about moving your body in a way that is playful, rather than punishing.
You do not have to be the best dancer……I certainly was not!
You do not have to get every move right…..Nope I certainly did not!
You do not have to look like the person next to you…..Another certain NO from me!
Just Do It, Just Move, and when you do….
You walk differently.
You stand differently.
You make more eye contact.
You take up a bit more space.
You stop apologising for existing…..YES!
There is something very underrated about finishing a class feeling strong, sexy, ridiculous and laughing all at once…..THANK YOU
Just some non-physio jargon….although I might start dropping some into my consultations!
Some of the move-names in chair burlesque are brilliant - they sound either magical, or like they should be in a weather forecast.
Let me list some….Shimmy, Hip roll, Body roll, Figure of eight hips, Hair flick, Hair whip, Fan kick, Slow straddle, Snake arms, Chest pop, Shoulder roll, Rainbow leg, Reverse rainbow, Leg wave, Hip circle, Hip bump, Bump and grind, Slinky walk, Cat crawl, Back arch, B***y pop, Floor drag/crawl/melt, Sultry sit, Pin-up pose, Peek-a-boo, Leg drape, Toe trace, Slow peel, Chair sweep, Spin around the chair, Chair lean/dip/slide/straddle, Cross-leg reveal, Knee slide, Body ripple, Rib cage circle, Pelvic tuck/tilt, Hinge and arch, Recline and sweep, Backbend over chair, Shoulder shimmy, Mermaid roll, Tease wall, Pony step, Grapevine,Jazz square……they all sound far more glamorous than ‘awkwardly trying to get up from the floor / getting on or off the chair without making old-lady noises’!
Next Masterclass…..honestly, give it a go….YOU WILL NOT REGRET IT!
Rinske van der Weij
Advanced MSK Specialist / Physiotherapist
HCPC Reg PH51845 / CSP Reg 059125
Tuesdays / Fridays - private, self-refer / self-pay at Orchard Barn Health, Stallingborough, DN41 8AJ.
Directly bookable via this link https://rinske-msk-specialist.splose.com/booking
Or message me on 07790901075….also message me when abroad, rather than booking via the link.
Mondays / Wednesdays / Thursdays - NHS for The North Thoresby Surgery patients only, based at the Holton site, bookable via the NTP reception team.