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LC Queisser

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22/06/2025

Last day at Art Basel 2025, Premiere sector, with works by Ketuta Alexi-Meskhishvili, Tolia Astakhishvili, and Simon Lässig.

A look back at the week:

Basel Social Club in collaboration with Captain Petzel presenting the work by Stefanie Heinze.

Ser Serpas’ solo exhibition ‘Of my life’ is on view at Kunsthalle Basel until 21 September. Serpas collaborated with Margo Korableva Performance Theatre, Tbilisi, for this exhibition, and we are happy to share a sneak video of the very first performance, ‘Kitchen Drama’.

Sitara Abuzar Ghaznawi is the winner of the Swiss Art Awards 2025, receiving the Kiefer Hablitzel Göhner Art Prize.

Images:

Detail from the booth presentation at Art Basel 2025, featuring works by Ketuta Alexi-Meskhishvili, Tolia Astakhishvili, and Simon Lässig.

Stefanie Heinze
Coo (Mild Pile Spread), 2025
Acrylic and oil on linen
135 × 175 cm

Ser Serpas, ‘Of my life’, exhibition view, Kunsthalle Basel, 2025
Photo: Philipp Hänger / Kunsthalle Basel

Sitara Abuzar Ghaznawi
‘Exercise’, 2025
Digital print on paper, plastic, paperclip
21 × 29 cm
Courtesy Office fédéral de la culture, Swiss Art Awards 2025, Gina Folly

‘Kitchen Drama’, 1993/2025
Performance
Approx. 40 min
Performers: Nini Kobaladze, Ia Re, David Chikhladze, and Ser Serpas

17/06/2025

Opening Today !!!

LC Queisser at Art Basel, Premiere Sektor, Booth P6
With Ketuta Alexi-Meskhishvili
Tolia Astakhishvili
Simon Lässig

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16/06/2025

We are delighted to announce that Sitara Abuzar Ghaznawi is a laureate of the Swiss Art Awards 2025, receiving the Kiefer Hablizel Göhner Art Prize.

Images:

Allegro, minor details, 2025
Aluminum, mixed media on paper, foil, charms, fabric
Dimensions variable

Exercise, 2025
Digital print on paper, plastic, paperclip
21 × 29 cm

Courtesy Office fédéral de la culture, Swiss Art Awards 2025, Gina Folly

14/06/2025

We are delighted to share first images of Ser Serpas’ solo exhibition ‘Of my life’ at Kunsthalle Basel curated by Mohamed Almusibli.

Ser Serpas (*1995) has a passionate interest in corporeal and poetic forms of expression, which she pursues as a painter and sculptor. In her largest solo exhibition in Switzerland to date, she showcases the diversity of her aesthetic vocabulary and explores the boundaries between body, time, and the ephemeral images in between. At Kunsthalle Basel, she brings together sculpture, painting, and performance, focusing on her collaboration with the Margo Korableva Performance Theatre from Tbilisi. In their working practices, both artists take existing elements, deconstruct them, and endow them with new, reimagined content. This artistic synergy allows Serpas to revive selected productions from the theatre’s repertoire and establish a dynamic, reciprocal dialogue between performance and her sculptures.

Ser Serpas
‘Of my life’
Kunsthalle Basel
Until 21 September, 2025

Image 1/3/6
Ser Serpas, Of my life, exhibition view, Kunsthalle Basel, 2025,
photo: Philipp Hänger / Kunsthalle Basel

.performancetheatre .rtf

09/06/2025

We are delighted to announce Ser Serpas’ solo exhibition 'Of my life' at Kunsthalle Basel curated by Mohamed Almusibli.

Ser Serpas (*1995) has a passionate interest in corporeal and poetic forms of expression, which she pursues as a painter and sculptor. In her largest solo exhibition in Switzerland to date, she showcases the diversity of her aesthetic vocabulary and explores the boundaries between body, time, and the ephemeral images in between. At Kunsthalle Basel, she brings together sculpture, painting, and performance, focusing on her collaboration with the Margo Korableva Performance Theatre from Tbilisi. In their working practices, both artists take existing elements, deconstruct them, and endow them with new, reimagined content. This artistic synergy allows Serpas to revive selected productions from the theatre’s repertoire and establish a dynamic, reciprocal dialogue between performance and her sculptures.

Ser Serpas
'Of my life'
Kunsthalle Basel
13 June–21 September, 2025
Opening: 12 June, 7pm

.performancetheatre .rtf

31/05/2025

We are excited to share more installation images of Astakhishvili’s exhibition curated by Hans Ulrich Obrist at Nicoletta Fiorucci Foundation.

(...)This fifteenth-century edifice of the Nicoletta Fiorucci Foundation was previously the property of the painter Ettore Tito during the 1920s, who facilitated an extension of the existing space to be used as an artist’s studio, with the building then undergoing subsequent renovations until the early 1970s. Today, there lies a hybrid building in its forms and materials, made of contrasts and adaptations and in which different functions over time have profoundly changed its original appearance. Tolia Astakhishvili’s project delves into the material history of the building. In taking up temporary residence in January 2025, she has transformed the space through several structural interventions: walls have been removed and added; spaces have been narrowed and widened; artworks and multisensory elements by the artist and others have been incorporated, including text, painting and drawing, as well as video, film and sound . With her delicate, fragile drawings, this medium is often central in Astakhishvili’s installations, and connects to the importance of drawing in Nicoletta Fiorucci’s art collection.

By privileging processes of addition and subtraction, expansion and contraction, Astakhishvili creates a temporary spatial intervention with a profound sense of destruction, distortion and fragmentation. In doing so, she creates a temporal opening that projects into the future and returns to past realms. As with all her work, the installation speaks to the question of how we build and spend time in different spaces, and the fragility and existential uncertainty that pervades this lived experience. This sense of uncertainty is echoed in the way that visitors to the installation are given the freedom to move in whichever way they choose, without a concentration on a centre or a prescribed pathway. As Gilles Deleuze wrote, we ‘are in the middle of things, but in the centre of nothing’.

-Hans Ulrich Obrist, April 2025

23/05/2025

Save the date!

We are pleased to present Stefanie Heinze’s second solo exhibition in Tbilisi

Stefanie Heinze
FELLOW

Opening: May 29th 2025, 6-8:00 pm

Stefanie Heinze
Clandestine, 2025
Acrylic and oil on linen
228.6 × 315 cm
heinze

20/05/2025

Final week to see Ketuta Alexi-Meskhishvili’s solo exhibition ‘there, but not’ at the Braunschweiger Kunstverein, curated by Cathrin Mayer.

On view until June 1, 2025

19/05/2025

Thank you to everyone who joined the opening of our inaugural show at our Cologne space, featuring a solo exhibition by Karlo Kacharava.

{….} Kacharava’s legacy extends far beyond aesthetic innovation. It offers a critical commentary on the cultural transformations that accompanied the collapse of the Soviet Union and the emergence of today’s globalized art world. His work demonstrates how an artist can meaningfully engage with international artistic trends while retaining a distinctive local perspective. In a brief but prolific career, cut tragically short at thirty, Karlo Kacharava produced a body of work that continues to challenge our understanding of artistic exchange and cultural identity in increasingly interconnected times.

Text: Martin German
Images: Simon Vogel
Last Image: Diary excerpt by Karlo Kacharava provided by

14/05/2025

We are pleased to share more images of Elene Latchkepiani’s solo exhibition What Has Already Happened, hosted by Galerie Derouillon, Haute Marais, Paris.

On view through June 14.

Thu–Sat, 2–7 PM
Wed, by appointment

To schedule an appointment, feel free to email or DM us.

38 rue Notre-Dame de Nazareth, 75003 Paris

Images:

1. Installation view, ‘What Has Already Happened’, 2025

2. Elene Latchkepiani
Untitled, 2025
White marble, iron channel, oak
24.5 × 19.3 × 6 cm

3. Elene Latchkepiani
Untitled, 2025
Oak and tile wood
21 × 8 × 4 cm

4. Elene Latchkepiani
Untitled, 2025
Burned plexiglass
38 × 20 × 8 cm

5. Elene Latchkepiani
Untitled, 2025
Boxwood, oak
32.5 × 7 × 7 cm

6. Elene Latchkepiani
Untitled, 2025
Taxus Baccata
13 × 15 × 15 cm

10/05/2025

We are excite to share first installation images of Tolia Astakhishvili’s exhibition ‘to love and devour’ curated by Hans Ulrich Obrist at Nicoletta Fiorucci Foundation in Venice.

Tolia Astakhishvili (b. 1974, Tbilisi, Georgia), based between Tbilisi and Berlin, has created a site-specific installation in dialogue with the architecture and the history of the building at the Nicoletta Fiorucci Foundation at Dorsoduro 2829 in Venice. This process took place prior to its renovation into an exhibition space for the future programmes of the Foundation.

In creating the installation, Tolia Astakhishvili lived and worked at Dorsoduro 2829 for the first months of 2025, creating an exchange with the space and a series of artists who she invited into conversation. These include: Ketuta Alexi-Meskhishvili, Zurab Astakhishvili, Thea Djordjadze, Heike Gallmeier, Rafik Greiss, Dylan Peirce, James Richards, and Maka Sanadze.

Tolia Astakhishvili once told me that at the core of her work is a desire to blur the boundaries between individual and collective artworks, between her authorship and that of others, and the feedback loops that can be engendered with the environment in which artworks are shown. This unique project at the Nicoletta Fiorucci Foundation exemplifies Tolia Astakhishvili’s ability to create a complete installation – a Gesamtkunstwerk, but one which is not overpowering, imposing or didactic, but rather allows the viewer multiple entry points. (...)

-Hans Ulrich Obrist, April 2025

08/05/2025

We are excited to announce our inaugural solo exhibition in Cologne, showcasing the work of the late artist and art critic Karlo Kacharava (1964–1994).

Kacharava is one of the most influential cultural figures of late twentieth-century Georgia. Despite his short life, he was remarkably prolific, producing drawings, canvas, journals, poetry, and prose.

Karlo was deeply attuned to artistic developments abroad—he visited Cologne in 1988 and was profoundly influenced by German Expressionism. He shared its spirit of responding to harsh realities and maintained a dialogue in his works with many artists around the world.

Now, his work returns to Cologne—a city and art scene that played a formative role in his artistic development. This exhibition focuses on his works on paper—a medium central to his practice—characterized by the seamless integration of visual and verbal elements.

Many thanks to Lika Kacharava, Irena Popiashvili and Modern Art Gallery

Opening:
16 May, 6-8pm

St. Apern Str. 13
50667 Cologne

Image:
Karlo Kacharava
'Man at the Factory', 1989
Gouache on paper
24.5 × 37 cm

Address

Tsinamdzgvrishvili Street 49
Tbilisi

Opening Hours

Tuesday	13:00 - 19:00
Wednesday	13:00 - 19:00
Thursday	13:00 - 19:00
Friday	13:00 - 19:00
Saturday	13:00 - 19:00
Sunday	13:00 - 19:00

Website

http://www.lc-queisser.com/

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