AMRES ART / Intuitive aesthetics

AMRES ART / Intuitive aesthetics Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from AMRES ART / Intuitive aesthetics, Health & Wellness Website, Lietuva.

THE FUTURE OF THE ART MARKET to be discussed at ArtVilnius'21!• • • 7 art market professionals from Lithuania, Denmark, ...
07/10/2021

THE FUTURE OF THE ART MARKET to be discussed at ArtVilnius'21!

• • • 7 art market professionals from Lithuania, Denmark, Norway, Estonia, France will gather at a round table discussion led by Ornela Ramasauskaite art market expert, head of ArtXchange Global

• • • October 17 | 2 pm
• • • LIVE @ LITEXPO, LRT Studio, Stand 5.35
• • • BROADCAST @ Facebook AMRES ART Gallery / Intuityvi estetika & LinkedIn artXchange Global.

• • • We CORDIALLY WELCOME round table participants:

Thorkild NB Nielsen - director of galleri NB and chairman of the Danish Gallery Association (Denmark);
Ian Damerell – artist, philosophy of art lecturer (Norway);
Gleb Divov – NFT pioneer, creative technologist, immersive artist, curator, OKAPI Galerii, FAYR Ecosystem (Estonia-Lithuania);
Temuri KHvingia – director, OKAPI Galerii, FAYR Ecosystem (Estonia-Lithuania);
Vytautas Kašėta – blockchain expert, creator of the Art Tech start-up (Lithuania);
Reiu Tüür – artist, creator of cultural and educational projects, lecturer (Estonia-Lithuania);
Yves Bartlett – artist (France).

STAY TUNED FOR SPEAKER INSIGHTS IN THE EVENT STREAM!
ArtVilnius'21. THE FUTURE OF THE ART MARKET: what change will technologies and metamodernism bring?

This round table is organised by AMRES ART Gallery / Intuityvi estetika & ArtXchange Global as a 2nd Annual International Conference on Metamodernism Event.

Individuality and Responsibility for the Choice Based on the materials of Rasa Baltė-Balčiūnienė and Marina Chekmareva, ...
25/02/2020

Individuality and Responsibility for the Choice

Based on the materials of Rasa Baltė-Balčiūnienė and Marina Chekmareva, presented at the AMRES ART design week in 2019. Part 5

Each person has to decide by himself/herself what is good for him/her and what he/she needs – no one else will do it for him/her. And if before everything was decided by the party, nowadays the party does not exist – it is already gone. And there is no church that will say what is good and what is bad.
Everyone is responsible for their choices and their lives. This is the principle of individuality. How to understand, how to realize what is good for me, how to achieve this?

Creative morality will be in demand. Beauty = good. Creativity = good. When you feel good, you create good products, you create good pictures. It does not matter if you were taught or not. Through pleasure, our body, our psyche, inner comfort, we make the world a better place and get joy and money.
An important moment is individuality, difference from others. Not I am good, but the other one is bad, but I am special and the other one is special too. Everyone can find what responds in me.

This is a new strategy in culture. I think it will pe*****te other areas of our lives. I want to repeat: the new values of metamodern – uniqueness and individuality, sincere, positive emotions. And all this can be created when we realize what we are doing and whether I need it at a certain moment.
When you are aware of your body, you can change the world and adapt to the new era of metamodern. And then... How was the personality expressed before? Each had a special font through which their character was expressed. This we call calligraphy.

This is how the font changed – merchants and aristocrats learned fast font, which had 100 different options to write the same letter. The one who read should have been able to read all 100 options. It was written vertically, horizontally, letters went beyond the fields.

Gradually, the font became simpler to read faster. This happened because the townspeople entered culture as well as entrepreneurship, but they did not have such a deep education. Later the need of unification appeared, everyone began to study the same font.

All schools in the USSR, Germany, France wrote in the same font. What is happening today? In many schools of Europe and America, children are not able to write by hand. The maximum that they are able to do is to write in block letters, so they will not be able to read such a complex text.

Simplification happens, personality is reduced even through the font. There was 151 ways to express your character – through a line, through writing a letter. The combinations were studied. Each great man had an author’s signature.

The Changes of CultureBased on the materials of Rasa Baltė-Balčiūnienė and Marina Chekmareva, presented at the AMRES ART...
07/01/2020

The Changes of Culture

Based on the materials of Rasa Baltė-Balčiūnienė and Marina Chekmareva, presented at the AMRES ART design week in 2019. Part 4

Modernism – new forms of expression, novelty is the main goal. It does not matter what impression is being made, the most important thing is to be the first one, do everything differently than others do. This is an eternal argument with the previous era, the destruction of the previous era. Utopia and dystopia, high culture and popular culture.

It was the time when the art was divided into two categories – for intellectuals and for the rest ones. It was narrated about the culture of the elite, which had to learn to conceptualize, read, to understand. An important moment – finally, it was announced about the death of God.

Atheism has become the main religion of many countries. The death of God was important for the realization of the material world. If there is no God, we start to study the theory of evolution and so on.

Further – the universal truth: I know exactly how the world was created. My knowledge is being declared as the only true point of view, the struggle with the otherwise-minded starts. It took place in all countries, otherwise there would be no success in modernism.

Postmodernism – it is a simulation, the creation of countless copies. The original is lost forever. The value of originality is losing its value. A huge number of prints, reduplications, copies appear. People are encouraged to pay money not for uniqueness, but for the mass.

Andy Warhol created several hundred such kind of pieces and they all were sold for several million dollars. It was impossible during modernism era; in the days of postmodernism, this became the norm. Playing with the cultural heritage of previous eras has become the main goal. We are not creating anything new, but we are laughing at the past. We paint the moustache to Gioconda, we colour the same picture many times. We transform mass culture into the elite one.

Furthermore, if the death of God was announced, no one even remembers God, religions are forbidden in schools, talking about being a Christian is being avoid in Europe. This continues till the flow of immigrants. A moment of doubt – if I doubt, it means, I exist – this is the slogan of postmodernism. To doubt about everything – why do you think it is true? How is this possible? And who does know where the truth is? The truth is not important, this is my opinion, and if it is an opinion, it may not correspond.

Doubts begin – who are you, why is your opinion unique, why should it be valuable at all? Doubts are becoming the norm. There is no single truth.

What is inherent to metamodern? The combination of high and so-called low culture. Currently, there is almost no such definition. Classical fine art has almost died, fine art is not being studied in the art academies of Europe, they are no longer able to paint a realistic picture, since there are no trained masters in Europe – only old ones who will soon die.
There will be new branches of fine art. Evaluation of the piece of art will increasingly rely on “I like, do not like”, “it fits me, it does not fit me”. It will be harder and harder to convince a person to buy a brand, to buy a painting only due to the fact that it was created by a famous artist... This is no longer an argument.

Step by step we come to a new argument – do I need it, do I like it, what does it give to me? Why should I pay for it? Brand? So what? The most important is that the search for life pleasures becomes the main goal. Not to fill the house with nominal items, but what pleasure it brings me. If a thing is expensive and gives me joy – perfect, if a thing does not bring pleasure – it does not suit me.

This is an important change that is taking place in culture. The great goal is what is behind the systems. Now we set the goals by ourselves, they are not imposed on us by the state or the church, since they have less and less mechanisms to reign. It is no longer relevant in modern times.

Perception of Human Activity during Changing of ErasBased on the materials of Rasa Baltė-Balčiūnienė and Marina Chekmare...
16/12/2019

Perception of Human Activity during Changing of Eras
Based on the materials of Rasa Baltė-Balčiūnienė and Marina Chekmareva, presented at the AMRES ART design week in 2019. Part 3

Shots from the film of Federico Fellini “8 ¹⁄₂”. 1963, the film received many awards at the festival. An essential phrase was pronounced in this film. Vida, a director, is in a search of lost creative inspiration, trying to produce a new film, to enter a new era. But he fell into a creative crisis. He judges by outdated categories, and the time to move into a new era has come.

He cannot find himself in the new world. He appeals to the cardinal of the Catholic Church and asks the question: Your Eminence, I am unhappy, I cannot work, I cannot find inspiration, what should I do?
The cardinal answers: why should you be happy? Your calling is none of this. Who said that we come to this world in order to be happy?

This is the postmodern slogan, no one talks about happiness, no one says everyone should be happy. We were offered to be happy because we have expensive things. But from the fact that your apartment will be full of such things, you will not feel happy. At that time – yes, but now – no longer.

Here are the main production models. Art Nouveau is mass production, the Ford factory is being considered as a pioneer.
Or, for example, national companies – German quality, we all know German brands. The owners of the concerns lived in Germany; the workers were also Germans. If it was Brown, we knew that it was manufactured in Germany.

In the postmodern era, everything is different – if it is written that the product is made in Germany, it does not mean at all that it is really made in Germany. Employees are a part of the production line. Man was only one of the many cogs in the mechanism, at that time it used to be effective.

It suited for everyone, everyone wanted to work at the factory. There were stories of entire dynasties working at the concrete factory, working at the same factory all life was considered as an achievement – climbing the career ladder from a simple clerk and becoming, for example, a specialist of the highest category. That was the norm, people wanted to work like that.

Then postmodernism burst in, the culture of offices started. Factories have lost their former prestige, production has become less relevant, and everyone decided to work in offices.

National corporations pushed out multinational companies. We do not know where the owner is, we do not know to whom we pay money. Office work, equipment, paperwork, computers – all this becomes a prestige, everyone wants to do it.

Working in different companies is the norm, but in one place you should have to stay for several years or decades. In any case, changes are perceived as stress, as a small disaster that needs to be outlived.

Now is the time of metamodernism – work not in office, without a suit, without a dress code is becoming relevant. Work from home, remotely, no matter where the employee is, if he/she is doing her/his job.

Many people do not want to sit for 8 hours at office each day if the task can be done in a shorter or longer period of a time. People is interested in creative industry, IT, start-ups and everything else.

Sitting in a dusty, stuffy office and shifting papers is no more interesting. People coalesce in small groups to implement the project, and then disperse. Youth is ready for this. Young people do not want to work in the same company for 20 years, they are mobile, they want to try here and there. If a person is not more interested in a job, he/she looks for another, despite a good salary. Psychologically they are already ready for changes.

How did employees feel in a company where work was not so seriously valued? If you relax, you can lose fingers, hand, leg, or you can even die. Boring work, routine and competition in the office – there are many bright personalities in a small space. Competition becomes an important point at work – do better than he/she and you will get more. It encourages. When you are stressed and in competition mode, you do not take others seriously. A defensive reaction – irony and cynicism – develops.

What does it say about the future model? This is post-irony. When you work in a small team of like-minded people, you do one job, there is no competition within. If you are ironic and teasing your teammates, you will either be thrown out of the team or the project will collapse. In any case, the result will be negative, so the irony is no longer effective.
Sincerity, energy and enthusiasm will become a connecting link in such groups. Then any project, no matter small or large, will go smoothly.

Political Leaders in the Era of Modernism and PostmodernismBased on the materials of Rasa Baltė-Balčiūnienė and Marina C...
25/11/2019

Political Leaders in the Era of Modernism and Postmodernism

Based on the materials of Rasa Baltė-Balčiūnienė and Marina Chekmareva, presented at the AMRES ART design week in 2019. Part 2

The types of politics and the types of politicians have changed due to changing eras. The peculiarity of modernism used to be a very ferocious style of rule. One of the most charismatic personalities, the last representative of modernism in Europe, was Winston Churchill.

Just imagine, if it is possible in contemporary times to become a prime minister with the following promise: “I can offer you nothing else but pain and blood”. Is such straightforwardness possible today? No, it's already a different time. And then with this promise he became the prime minister.

Postmodernism. The brightest person, who had finalized this era, was Bill Clinton. His campaign slogan was “the most important is economics”. Why did Hilary Clinton lose to a rather strange candidate – Donald Trump? She is the leader of the old era, a continuation of her husband.

Donald Trump is completely different; he is not a professional politician. Churchill and Clinton were professional politicians, they had been doing this all their lives. At that time, narrow professionalism was in demand.

In the current era, being a specialist in just one field is quite difficult. We have to combine several different areas, bring in new things, only then the business will work. The same is in art history – it is impossible to exist without psychology, physics and chemistry, otherwise you will not be in demand in the labour market in nowadays. Of course, history, philosophy, foreign languages are also needed.

After the World War II ended, the myth about the perfect employee ceased to exist. Many new laws of biology and physiology were discovered, the realization that a person is more complex had come.

This was followed by postmodernism, which had destroyed the idea of humanism. After World War II, many said that after the Holocaust there can be no poetry or imagination about a person. Man is a horror, there is no light in a human, man is an animal, etc.

At the beginning of postmodernism era, a man is confused, he/she becomes a meaningless subject: “I am not acting, I am being ruled”. History, politics, government act instead of me, I will not take responsibility. Man is a thing.

Pop art appeared in art, and the economics was approaching to a consumer society. Man consumed products, interiors, people. The creation of an imaginary ideal man started, all men wanted to be like “this” image, and women – like “this” image. The desire of having all the newest and the best things had come, it did not matter how these things interacted with each other.

It did not matter, if “I” really needed it and whether it suited me well. My individuality did not matter, the most important was to have the best. Not that, what was the best for me, but that, what was the newest, the best according to others.
Dutch philosophers state, that an important point for a new era was the recognition of personality in a person. The realization that a person is not the same in the morning as in the evening has come. Our well-being, facial expression, and pressure has changed. A new era has to deal with it.

Besides, determination becomes the norm. The more we change, the better we correspond to time. You cannot live on past achievements, otherwise you will not be needed.

Another one new quality, that is supposed to become important in the new world, is authenticity, emotion. Authentic, real, but not artificial, fake human emotions. Show yourself as you really are, and the world has to accept the real you.
Not the ideal one, as in modern times, not human-animal, as in postmodernism, not human-thing. But a person as he/she really is – changing, complex. Or simple.

Creative Mind, Art History and the Change of EraBased on the materials of Rasa Baltė-Balčiūnienė and Marina Chekmareva, ...
14/11/2019

Creative Mind, Art History and the Change of Era

Based on the materials of Rasa Baltė-Balčiūnienė and Marina Chekmareva, presented at the AMRES ART design week in 2019. Part 1

Nowadays the idea that in the future the main competitive advantage will be the manifestation of a creative mind has become very popular. I communicate with the leaders of various organizations who say “no, no, I'm not a creative person at all”. Creativity is quite often recognized as stupidity that does not create functional value.

The idea of our todays’ event is to provide you with the opportunity to understand that there is no a single functional, productive activity if there is no creative mind behind it. This understanding is reachable through various levels (intellectual, sensory) of cognition.

Even the Greeks said that intelligence means the ability to perceive information by feeling and mind. At present, intelligence is identified with rationality, logic. Today we will go through a process consisting of several parts. One part will be serious, intellectual. Marina, an art critic from the Hermitage Museum in Sankt Petersburg, a PhD, and I, will present some information. Then there will be a part, which will provide the opportunity to “taste” whether it is possible to distinguish genuine / valuable things from their substitutes with the help of the sensations of your own body.

We live in a time of consumer culture, which constantly creates cheap substitutes and encourages us to consume even more. Sometimes substitutes are no longer distinguished from genuine things, especially if we are not professionals in a certain field. We will give natural and artificial silk, natural and synthetic flavoured oils, expensive and cheap drinks, as well as some paintings. Each of you will have the opportunity to check whether your body is able to distinguish the original from the artificially made.

In the third part you will get acquainted with a new project, which was launched a year ago – plein airs. We have created a method that, using live action, allows to reveal certain projects of the future mastermind, leader or person from the psyche (I’m not afraid of this word – the synonym of it is the soul the psyche makes us alive).

I think that not many people imagine what art historians, art critics do. When I have studied at an art academy, the main task was to notice even a tiny change in the picture.

During the entrance exams, several hundred black-and-white photos are given, and a student has to identify what kind of work it is, when it was created and who the author is. For many years I have studied how to distinguish the essence from the minor things in paintings, how to recognize the style of a certain author according to his/her characteristic lines.
By connecting the nuances with a higher meaning, being aware of a time change, the understanding of how philosophy affects the images, behaviour, clothes of people comes. How time reflects in peoples’ changes, how people affects architecture, style, how a method of influence affects an image and what kind of relationship between them.

In other words, an art critic is a person who must professionally identify any changes, even a few millimetres ones, and understand what impact they make. A small line has changed – the whole character of the portrait has changed. The man, style, master has changed. This is the way we distinguish the original from the copy.

A lot of money could be spent, and a picture could be given to physicists and chemists to check the composition of the paint and all the rest, but first of all we (art critics, art historians) conduct a stylistic analysis. If there are any doubts that the picture could be a fake, only then we spend money on evidences. If there is no doubt, we can save money and not conduct many tests. That is the essence of the work of an art critic.

In our science, as well as in philosophy, important things started from moving into a new era. For a long time (since the post-war period) the postmodern era lasted, but this era has already ended. Laws in force at that time are no longer valid.

Not everyone was ready for this, not everyone had changed.
The whole 20th century and the beginning of the 21st century are divided into three categories: modernism till the end of World War II, later – postmodernism (some says that it has ended with the destruction of the Twin Towers in New York, some says the millennium was the ending point). For 8–10 years we have not realized that we have been living in a new time already.

Architecture and colours create new valueEstimate the importance of architecture is not always easy. One of the world's ...
02/10/2019

Architecture and colours create new value

Estimate the importance of architecture is not always easy. One of the world's most interesting examples, which has been already explored, is the Guggenheim Museum in Bilbao. The building created new value for the previously unknown Bilbao. The town faced a challenge – it was required to turn from an industrial city into a tourism-oriented city. The construction of such building has attracted a huge number of foreigners (it is estimated that among the entire tourist flow, foreigners make up 80 percent). In other words, a building, which changed the attitude of people and created a stream of visitors that no one could even dream of, was built (I do not evaluate architecture as itself). This is a real example of how a building creates value. Of course, there are some nuances in relation to collections, pieces of art, that are brought there, but this is already a matter of content. It is also important that most of the value people experience through their sensations.

Aspects of the relations with the consumer

Contemporary studies have confirmed that people react differently to images, environment, space, colour. Everyone knows this, but maybe this is emphasized too little. I have noticed, that for many people it is new, that the colours should be selected relying on certain psychological studies. But this is nothing new, researches, conducted since the 60s of the 20th century, is being repeated again and again.

A whole lecture about unboxing video could be given. There are different types of them. For example, there is a video about the MacBook Pro that was taken by a woman who bought this computer. I like Apple, I have a lot of products from this producer. Nowadays it’s very important, that, in terms of feelings, the attitude of the person who purchased the MacBook, and what the user feels when unpacking the device, everything is thought out. Everyone knows that the experts of Apple select cardboard, create the respective surface of the box, add a smell. The design of the items in the box is exceptional as well. It is characterised by the fact that once unpacked, you are unlikely to be able to fold everything back as it was. Everything is thought out from the first to the last moment, even the product itself is enclosed in a special package so that no one else's fingerprints remain. Unpack the thing to the end, and it is yours. What does it mean? It means the fact that nowadays, speaking about marketing, every aspect is important, every aspect of the relationship with the consumer is important.

The features are the same, but I want only “that one”

In America there is such a company – a public organization that takes money from consumers for testing devices. They clearly show there is one and the other product, they are identical, maybe even the first one is better, but for some reasons they still buy the “that one”. How can this be? The answer – Apple consider every step, every consumer’s encounter with the brand, with the product itself and creates value through all possible aspects.

One more example. The idea of the “Heinz” ketchup advertising “You Can’t Eat It Seriously”: one restaurant tried to find out the reasons for the negative feedback from visitors. What has happened that they do not like it so much? It was figured out that most of the impressions associated with the restaurant had no effect. For example, a girl told a young man that they were breaking up. And this place begins to be associated with unpleasant sensations that affect the further decision.

The interior affects the health

If we talk about the interior, it should be reminded, how the recovery of two patients, staying in two different wards, was explored in 1984. It turned out that those patients, whose view from the window was on a brick wall, recovered longer than those, who saw an open space, a beautiful city, a park through their window. Since that time, the discussions about a huge impact of images and the environment on human health have begun. There were even more studies, for example, the research on what a positive effect the garden in the hospital has on the condition of pregnant women.

The purpose of another study was to find out what effect the same interior, painted in warm and cold colours, gives. Does any of these interiors have a negative effect? Studies have shown that there is no significant difference, but in a warm environment, people were inclined to spend more money and order more services. I remind you that the interior is the same, only the colour of the walls is different.

Time of addiction

The situation we are in, might be called addiction. Everyone knows that young 18-24 years old people, as soon as they wake up, first check their page. A study has already been carried out, which showed that girls of the same age do this before going to the toilet. Social networks seek to engage and achieve this instantly. One can argue that platforms are designed to hook on, but the addiction to social networks is the same as to the Internet or other overdoses of digital media.

If giving the example on an American girl, it would look like this: 31 hours per week watching TV, 17 hours per week listening to music, 10 hours at a computer, 4 hours of films, 3 hours of press, 45 minutes a day of the media. Our numbers are similar, and later 3 out of 4 feel shame, guilt and depression. Until the 18th birthday, children manage to see about 77 546 000 advertisements. The influence of the media is undeniable.

Based on the report of Gintaras Šeputis, presented during AMRES ART design week

The Pragmatism of BeautyLet’s discuss the pragmatism of beauty. First of all, it is a potential to embody the higher opp...
26/06/2019

The Pragmatism of Beauty

Let’s discuss the pragmatism of beauty. First of all, it is a potential to embody the higher opportunities, it is being beyond the knowledge and professionalism and it does not reveal what is needed daily, but what already exists inside of you. Due to pragmatism you can become openminded for what you have never had. It is a chance to mobilize inside of you sleeping strength.

*There is an opinion, that beauty reveals only for the mentality, which is philosophically minded. I take philosophy extremely seriously, these are fundamental questions. Philosophy has to recommend, how to live. There is an opinion, that it is the function of experience, but experience is only able to present the possibility to make decisions. *It is black, it is hot, it is bad, it is not tasty. Later something has those decisions to collect and to summarize. This is the task of the philosophy. After this the philosophy states – that is how the world is created, that is the way we should live. Therefore, to philosophically minded mentality an opportunity to reveal new strength inside of oneself is being presented. It is an opportunity to touch the wholeness.

The first house of the beauty is a surface of a shape, a method in which you are given the second plan. The relation between the layers every time becomes a level of a new union. Turning on the tumbler switch, which is tuned towards the beauty, the parceling stops and the gathering starts. It is an opportunity to increase the strength, because the part of being increases.

I still remember seminar on a theme of theoretical nature laws. We were talking about the validity, reflection. One young woman started to fluster and said: do you understand, what you do to me? Every day I walk to work through a park. In spring there are a lot of different birds in this park. Sometimes nestlings fall down from the nest. I, looking at those nestlings, understand, that, on one hand, I have to help and put them back to the nest, but, on the other hand, touching the nestling could condemn, because its parents could refuse to raise it. I stand in front of this nestling, I am very sorry of it, and you suggest me to understand my worries. Do you understand what you do to me?

But the capacity of being has increased for this young woman. *The field of life, in which we exist, becomes wider. The function of the beauty is to multiple the capacity of being. In the end it gives possibility to strengthen the sensitivity of consciousness. *An aesthetical object is constantly waiting for the answer, wherever you are looking, you are able to see it.

Merab Mamardashvili wrote an incredible book under the name “Aesthetics of Thinking”. He tried to understand, where the amazing thinking is. He stated, that beauty appears through the completeness of meaning in the thinking. For example, you are watching the film and you see, that to brothers are struggling. They do not know that they are brothers, but we do. They beat each other, because they do not see some birthmark on their bodies, they almost have strangled each other… The tragedy take place, you watch it and realize, that the completeness of meaning took place. You know, that they are brothers. You realize, where the tragedy of situation is. The aesthetic object is waiting for the moment when the sole recovers.

In post-war time we were talking about the attempts to deceive each other, but not to look at stars. The art becomes a game, a satisfaction, but it could be a cypher of transcendency. The beauty can perform this role. I think, it is a possibility to fall in love with your life stronger, though the life quite often tries to shield you from love.

Based on presentation of Andrey Teslinov at the HAI.LT conference “New Meanings in Business”

Address

Lietuva

Alerts

Be the first to know and let us send you an email when AMRES ART / Intuitive aesthetics posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Practice

Send a message to AMRES ART / Intuitive aesthetics:

Share

Share on Facebook Share on Twitter Share on LinkedIn
Share on Pinterest Share on Reddit Share via Email
Share on WhatsApp Share on Instagram Share on Telegram

About AMRES ART

Have you ever thought, what is more in Your life – inner joy or dissatisfaction? Authentic things or their substitutes? What do you feel, when you say, that a work of art, a person, emotion or action is true?

Nowadays, a person, lost in the labyrinth of consumer culture and technologies, increasingly loses direct contact with the reality, the joy of life and creativity. The life of such person turns into a simulation.

Thus, AMRES ART invites you to create an aesthetic culture based on AUTHENTICITY, through Beauty to regain the ability to Feel, Create, Live.

But what is the real beauty? One has to relearn to recognize it. And the first step should be made through art.