Art of the Odessa Files

03/01/2025

04/11/2024

Painting offers a plethora of benefits, no matter what medium you choose—acrylic, watercolor, oil, or another.

Here are some of the key benefits:

Mental Health
- Stress Relief
Painting can be a therapeutic activity that helps reduce stress and anxiety.
- Mindfulness
Engaging in painting encourages mindfulness, helping you stay in the moment and find a sense of calm.

Cognitive Benefits
- Problem-Solving Skills
Painting involves a lot of decision-making, like choosing colors and techniques, which enhances cognitive abilities.
- Creativity
It stimulates the imagination and allows you to express yourself creatively.

Emotional Benefits
- Self-Expression
Painting provides a medium to express emotions that might be difficult to put into words.
- Achievement
Completing a painting can bring a sense of accomplishment and boost self-esteem.

Physical Benefits
- Fine Motor Skills
The detailed movements required in painting improve hand-eye coordination and fine motor skills.
- Concentration
Focusing on a painting project can enhance your ability to concentrate.

Social Benefits
- Community
Participating in painting classes or groups can help build social connections and foster a sense of community.
- Collaboration
Collaborative projects can enhance teamwork skills.

Painting is not just about creating art; it's a holistic activity that nurtures the mind, body, and soul. Ready to pick up a brush and get started?



Acrylic painting by ofile

30/05/2024

Creative Outlets: Engaging in creative activities such as painting, writing, or playing a musical instrument can be therapeutic. Expressing yourself creatively helps alleviate stress and provides an emotional outlet.

Whether the output is on a Van Gogh level or not, the point is to have any outlet and a good one at that.

Would you like to explore your creativity with painting? Let us know by commenting below.

06/11/2023

A zealous man in religion is pre-eminently a man of one thing. It is not enough to say that he is earnest, hearty, uncompromising, thorough-going, whole-hearted, fervent in spirit. He sees one thing, he cares for one thing, he lives for one thing, he is swallowed-up in one thing — and that one thing is to please God Whether he lives — or whether he dies; whether he has health — or whether he has sickness; whether he is rich — or whether he is poor; whether he pleases man — or whether he gives offence; whether he is thought wise — or whether he is thought foolish; whether he gets blame — or whether he gets praise; whether he gets honor, or whether he gets shame — for all this the zealous man cares nothing at all. He burns for one thing — and that one thing is to please God, and to advance God's glory. If he is consumed in the very burning — he is content.

He feels that, like a lamp, he is made to burn, and if consumed in burning — he has but done the work for which God appointed him. Such a one will always find a sphere for his zeal. If he cannot preach, and work, and give money — he will cry, and sigh, and pray. Yes, if he is only a pauper, on a perpetual bed of sickness — he will make the wheels of sin around him drive heavily, by continually interceding against it.

If he cannot fight in the valley with Joshua — then he will do the prayer-work of Moses, Aaron, and Hur, on the hill. (Exod. 17:9-13.) If he is cut off from working himself — he will give the money Lord no rest until help is raised up from another quarter, and the work is done. This is what I mean when I speak of "zeal" in religion.

-J.C. Ryle

06/10/2023

02/09/2023

"Sorrowing Old Man (At Eternity's Gate)" (Saint-Rémy, early May 1890) [F702]

"Van Gogh does paint suffering. An intense sympathy for people's suffering, that's what's totally modern about him. He made people feel for one's fellow humans and understand their suffering.
But he does more than that: he TRANSCENDS the SUFFERING.

By painting suffering in such a way, you don't experience it as suffering any more. It doesn't make you suffer any more, because you know it's an inevitability, and the insight gives peace.That revelation is what I think is greatest about Van Gogh." ― Helene Kröller-Müller (Dutch, 1869-1939), one of the first European women to put together a major art collection and credited as being one of the first collectors to recognise the genius of Vincent van Gogh. She donated her entire collection to the Dutch people, along with her and her husband, Anton Müller's, large forested country estate. Today it is the Kröller-Müller Museum, in Otterlo, the Netherlands

Van Gogh's work is 'the reflection of a heroic life that had passed through suffering to arrive at a deeper spirituality.' ― H.P. Bremmen, Dutch painter, art critic, art teacher, collector and art dealer (1871–1956)

This painting made in Saint-Rémy was completed in early May 1890 at a time when Vincent van Gogh was convalescing from a severe relapse in his health. It is based on an early lithograph (The Hague. November 1882 [F1662]; see the lithograph http://bit.ly/2oAbuLT ).

In November 1882 Vincent wrote to Theo,
"... I was trying to say this in this print — but I can’t say it as beautifully, as strikingly as reality, of which this is only a dim reflection seen in a dark mirror - that it seems to me that one of the strongest pieces of evidence for the existence of ‘something on high’ in which Millet believed, namely in the existence of a God and an eternity, is the unutterably moving quality that there can be in the expression of an old man like that, without his being aware of it perhaps, as he sits so quietly in the corner of his hearth. At the same time something precious, something noble...

(...) Perhaps the most wonderful passage in Uncle Tom’s cabin is the one where the poor slave, sitting by his fire for the last time and knowing that he must die, remembers the words

'Let cares like a wild deluge come,
And storms of sorrow fall,
May I but safely reach my home,
My god, my Heaven, my All'
(The song of the slave in Harriet Beecher Stowe’s Uncle Tom’s cabin. published in 1852)

This is far from all theology — simply the fact that the poorest woodcutter, heath farmer or miner can have moments of emotion and mood that give him a sense of an eternal home that he is close to." - The Hague, 26/27 November 1882 http://bit.ly/2muMm7V

"Sorrowing Old Man (At Eternity's Gate)" (Saint-Rémy, early May 1890) [F702]
By Vincent van Gogh (Dutch, 1853-1890)
oil on canvas; 80 x 64 cm; 31.5 x 21.2 in.
Sitter: Adrianus Jacobus Zuyderland (1810-1897), pensioner and war veteran living at a local almshouse in The Hague.
© Kröller-Müller Museum, Otterlo, the Netherlands http://bit.ly/2ohN4dv
https://www.facebook.com/KrollerMuller

24/07/2023

21/07/2023

'The glory of friendship is not the outstretched hand, nor the kindly smile, nor the joy of companionship; it is the spiritual inspiration that comes to one when you discover that someone else believes in you and is willing to trust you with a friendship.' ― Ralph Waldo Emerson

"In the Orchard (Spring)", 1892
By William Brymmer, C.M.G., R.C.A., Scottish -born Canadian figure and landscape painter and educator who played a key role in the development of Impressionism in Canada (1855-1925)
oil on paperboard; 40.2 x 30.6 cm (15.8 x 12 in.)
© National Gallery of Canada, Ottawa
Purchased with the Andrea and Charles Bronfman Canadian Art Fund, 2002 http://bit.ly/3V1D5V0
https://www.facebook.com/nationalgallerycanada

Overview:
"Although he was born in Scotland and died in England, William Brymner spent his entire professional career in Canada, where he was a well-respected teacher in Montreal and President of the Royal Canadian Academy of Arts from 1909 until 1917.

While not an Impressionist painter, his watercolours and oils were strongly influenced by the light effects he studied sketching out of doors.

A man and a woman, dressed in dark clothes and wearing hats, walk along a path that meanders through an orchard in bloom.

The man turns his head as he addresses his companion while she listens attentively with her eyes on the path. Isolated in this framed space, the engagement is intimate and poignant." ― Find out more http://bit.ly/3V1D5V0

About the Artist:
William Brymner was an influential art teacher and painter of figures and landscapes. He painted directly from nature, in the style of the French Barbizon school. Always experimenting with different techniques and viewpoints, he often chose Canadian subjects, such as rural Quebec.

Brymner studied at the Académie Julian in Paris. He settled in Montreal in 1886, where he taught for thirty-five years at the Art Association of Montreal. Among his students were painters A.Y. Jackson and Clarence Gagnon.

Brymner strove to create spaces where artists of all disciplines could gather and exchange ideas. He served as president of the Royal Canadian Academy for nine years. He also worked with the Canadian Art Club, the Pen and Pencil Club of Montreal, and the Arts Club of Montreal.

He travelled frequently through Europe and Quebec’s Eastern Townships, setting up a studio in Saint-Eustache with fellow artist Maurice Cullen.

'A Wreath of Flowers' (1884) was Brymner’s diploma piece for the RCA. Painted at Runswick Bay, the work demonstrates his narrative interests and his ability to paint figures and landscape. In 1892, Canadian Pacific Railway commissioned Brymner to produce a series of paintings promoting the scenic views of the Canadian West.

He won a gold medal at the Pan-American Exposition in Buffalo in 1901, and silver at the Louisiana Purchase Exposition in 1904. In 1916, Brymner was made a companion of the Order of Saint Michael and Saint George.

02/07/2023

Watercolor painting can be highly satisfying for several reasons, which set it apart from other artistic mediums. Here are some aspects that contribute to the unique appeal of watercolor painting:

1. Transparency and luminosity: Watercolor pigments are typically transparent, allowing light to pass through the layers of paint. This quality creates a luminous and ethereal effect, making watercolor paintings appear vibrant and alive.

2. Unpredictable and spontaneous nature: Watercolor is known for its unpredictability and fluidity. The interaction between water and pigments can create beautiful, organic effects such as blooms, granulation, and unique textures. This element of surprise and the ability to embrace accidents can be exhilarating and add an element of spontaneity to the artistic process.

3. Portability and ease of setup: Watercolor paints, brushes, and paper can be easily packed and carried, making watercolor a convenient medium for artists who enjoy plein air painting or sketching on the go. The simplicity of the setup allows for more freedom and flexibility in choosing locations to paint.

4. Quick drying time: Watercolor paints dry relatively quickly compared to other mediums like oil or acrylic. This fast drying time enables artists to work in layers, adding depth and complexity to their paintings without waiting for extended drying periods.

5. Versatility and range of techniques: Watercolor can be used in a variety of techniques, including wet-on-wet, wet-on-dry, glazing, and dry brush. This versatility allows artists to explore different effects and styles, from loose and expressive to highly detailed and controlled.

6. Subtle and delicate color transitions: Watercolor lends itself well to creating smooth gradations and subtle color transitions. Artists can achieve a wide range of hues and tones by layering and blending washes of transparent pigments, resulting in gentle and nuanced color shifts.

7. Expressive and atmospheric qualities: Watercolor has the ability to capture the mood, atmosphere, and essence of a subject. Its soft and flowing nature allows for the creation of dreamy, atmospheric scenes or loose and expressive brushwork that conveys emotion and energy.

These characteristics contribute to the unique appeal and satisfaction of watercolor painting, making it a favored medium for artists seeking its particular qualities and creative possibilities.

Note: from various sources and echoes my personal experience

Two of my original watercolors

02/07/2023

Here are some tips and hacks that can be helpful for beginners in colored pencil art:

1. Start with a quality set of colored pencils: Investing in a good set of colored pencils with a range of colors and varying degrees of hardness will give you better control and more vibrant results.

2. Experiment with different paper types: Test out different types of paper to find one that suits your preferred techniques and desired effects. Smooth, heavyweight papers specifically designed for colored pencils often work well.

3. Layer and blend colors: Building up layers of colors and blending them together can create depth and richness in your artwork. Start with light pressure and gradually increase it as you layer colors for smoother transitions.

4. Use a light touch: Colored pencils can be delicate, so use a light touch when applying the pigment. Gentle pressure allows for easier blending and prevents excessive wear on the pencil tips.

5. Test colors on a separate paper: Before applying a color directly to your artwork, test it on a separate sheet to see how it looks and blends with other colors. This can help you plan your color combinations effectively.

6. Practice different techniques: Explore various techniques such as cross-hatching, stippling, burnishing, and layering to create different textures and effects in your artwork. Experimenting will help you find your preferred style.

7. Use a blending tool: Consider using blending tools like blending stumps, tortillons, or a colorless blender pencil to achieve smoother and more even blending of colors.

8. Protect your work-in-progress: Place a spare piece of paper under your hand to prevent smudging areas you have already colored. You can also use a piece of scrap paper to cover parts of the drawing you're not working on to avoid accidental smudging.

9. Don't be afraid to make mistakes: Mistakes happen, especially when you're starting out. Embrace them as opportunities to learn and improve. You can use an eraser to correct small errors or gently lift off excess pigment.

10. Practice regularly: Colored pencil art requires practice to develop your skills and understanding of the medium. Set aside dedicated time for regular practice sessions to enhance your technique and creativity.

Remember, the journey of learning colored pencil art is a gradual process. Enjoy the exploration, be patient with yourself, and have fun as you discover your own unique style and techniques.

Various sources; Ctto

Check out the time lapse of a few seconds of today’s “basic” work - it’s just exercise for today!

(Note: I’ll do better capture next time folks!)
Pardon the “beginner vlogger me!🥹🥹

02/07/2023

Working with colored pencils:

Materials:
1. Colored Pencils: Invest in a set of good-quality colored pencils with a range of colors. Look for artist-grade pencils that offer a vibrant and blendable color selection.
2. Paper: Choose a heavier weight paper or a specific colored pencil paper that has a smooth surface to allow for layering and blending.
3. Erasers: Keep a soft eraser handy for making corrections or lightening areas.
4. Blending Tools: Consider using blending stumps, tortillons, or a colorless blender pencil to achieve smooth blending and transitions between colors.
5. Sharpener: Use a quality pencil sharpener to maintain a sharp point for precise details.

Procedures and Tips:
1. Planning and Sketching: Begin by sketching your subject lightly with a graphite pencil or use light-colored guidelines with colored pencils. Plan your composition and consider color choices.
2. Layering and Blending: Layer colors gradually, starting with lighter shades and building up to darker tones. Use light pressure for the initial layers and gradually increase pressure for stronger colors. Experiment with different blending techniques such as blending with a stump or using a colorless blender pencil to create smooth transitions.
3. Textures and Techniques: Explore different techniques to create texture and interest in your artwork. Try cross-hatching, stippling, or scumbling to add depth and dimension.
4. Color Mixing: Experiment with layering different colors to create new shades and hues. Overlaying complementary colors can produce interesting and vibrant effects.
5. Highlights and Details: Add highlights by leaving areas untouched or using a white pencil. Use a sharpened pencil or a fine-tipped pencil to add intricate details and refine your work.
6. Practice Color Control: Work slowly and steadily, paying attention to your pencil pressure and stroke direction to achieve the desired effects. Practice blending and color control on a separate piece of paper before applying it to your final artwork.
7. Protecting Your Work: Once your colored pencil artwork is complete, consider using a fixative spray specifically designed for colored pencils to protect it from smudging. Follow the instructions provided by the manufacturer.

Remember to experiment, practice, and enjoy the process of working with colored pencils. The more you explore and develop your techniques, the more you'll be able to create beautiful and vibrant artwork.

Various sources/references (Ctto)

Today’s output.

01/07/2023

Some things about Oil Painting

Here is a guide to help you get started with oil painting as a beginner, including the necessary materials and procedures:

Materials:
1. Oil paints: Invest in good-quality oil paints, which typically come in tubes. Some well-known brands include Winsor & Newton, Rembrandt, and Gamblin.
2. Brushes: Choose a variety of brushes with different shapes and sizes, including flat, round, and filbert brushes. Natural bristle brushes are commonly used for oil painting.
3. Palette: Use a palette with a flat surface for mixing your paints. A wooden palette or a disposable palette pad works well.
4. Palette knife: Have a palette knife for mixing paints and applying them to the canvas.
5. Mediums: Oil painting mediums are used to thin the paint, increase its flow, or alter its drying time. Popular mediums include linseed oil, stand oil, and liquin.
6. Canvas: Purchase pre-stretched canvases or canvas boards. Alternatively, you can also work on canvas paper or primed wooden panels.
7. Easel: An easel helps you set up the canvas at a comfortable position and angle for painting.
8. Solvent: Use a solvent like turpentine or odorless mineral spirits for cleaning your brushes and thinning the paint.
9. Rags and/or paper towels: Keep rags or paper towels handy for wiping off excess paint and cleaning brushes.

Procedures:
1. Setting up your workspace: Find a well-ventilated area as oil paints and solvents can have strong odors. Set up your easel, canvas, and palette in a well-lit area.
2. Preparing your paints: Squeeze out the desired colors onto your palette. Start with a limited palette of primary colors (red, blue, yellow) and gradually expand as you progress.
3. Mixing colors: Experiment with color mixing on your palette to achieve the desired hues and shades. Start with the primary colors and gradually mix them together to create secondary colors and more complex blends.
4. Understanding paint application: Oil paint can be applied in various thicknesses, from thin washes to thick impasto. Experiment with different techniques like glazing, scumbling, and wet-on-wet painting to achieve different effects and textures.
5. Drying time: Unlike watercolors, oil paintings have a longer drying time. Be patient and allow your layers of paint to dry fully before applying additional layers or details.
6. Cleaning brushes: Clean your brushes using a solvent like turpentine or odorless mineral spirits after each painting session. Wipe off excess paint and residue, and reshape the bristles.
7. Allow paintings to dry: Oil paintings can take several days or even weeks to dry completely. Make sure to allow sufficient drying time before handling or varnishing your finished artwork.

Citations and References:
1. "Oil Painting Tips for Beginners" by Marion Boddy-Evans, ThoughtCo
2. "Oil Painting for Beginners: A Simple Guide to Get You Started!" by Draw Paint Academy
3. "Oil Painting Materials and Workshop Procedures" by Genevieve Cummins, Cornell University

Next: acrylics basics