Narayana Lotus Yoga

03/05/2020

Abraxas stones were talismans that were used by the Gnostics, [from gnosis, that is, knowers], a different type and very occult sect of Christianity.

Abraxas was seen as a mystic teacher, like Mani the prophet and the founder of Manichaeism.

The name was also a secret password among the initiated. Like the Christians who use the Cross to identify themselves as Christians, either Catholic or Protestant today, so too was the image of Abraxas used in the same way; not to mention, as an amulet or protection against evil. Finally, the image of Abraxas was also used as a seal.

Abraxas has a rooster head, the torso of a man, and serpents as legs. He holds in one hand the whip, which represents authority and mastership. In the other hand he holds a shield, which is the symbol of protection. Hence, Abraxas is “The God who Protects.”

Abraxas is also represented with a halo, or sun behind his head, and he is in a pose of a warrior, with power and complete control.

Abraxas is the SUN deity.

“The term abraxas composed of seven letters referenced in the Gnostic system to the seven planets (and by extension to the seven archangels, the seven deadly sins, the seven days, etc.) broken down according to the Greek numbering system (A = 1, B = 2 R = 100, X = 60, S = 200), and then added together, the seven letters of the word gives the number of days of the annual cycle, or 365; By a similar logic to that of the Great Year, it could be the symbol of all of Creation, the cosmos and Knowledge (gnosis).”

[Taken from: http://www.omega-magick.com/2015/07/abracadabra-abraxas-formulae.html]

This name then is indeed coded: it represents the SUN, or a solar deity. Just as Satan or Ha-Satan represents a solar deity, for in Hebrew numerology, this name adds up to 264.

One final mention, Abraxas was also used as seal by the Knight’s Templars.

12/01/2020

04/09/2019

CHAPTER XIX of LÀ-BAS (DOWN THERE) By J.K. HUYSMANS Translated by KEENE WALLACE
[THE BLACK MASS]

He followed Hyacinthe, who traversed the dark lanes, between rows of palms, to the entrance of a building. She opened the doors as if she were quite at home, and her heels clicked resolutely on the flagstones.

"Be careful," she said, going through a vestibule. "There are three steps."

They came out into a court and stopped before an old house. She rang. A little man advanced, hiding his features, and greeted her in an affected, sing-song voice. She passed, saluting him, and Durtal brushed a fly-blown face, the eyes liquid, gummy, the cheeks plastered with cosmetics, the lips painted.

"I have stumbled into a lair of sodomists.—You didn't tell me that I was to be thrown into such company," he said to Hyacinthe, overtaking her at the turning of a corridor lighted by a lamp.

"Did you expect to meet saints here?"

He advanced groping, attempting to accustom his eyes to the half-darkness. The chapel was vaguely lighted by sanctuary lamps suspended from chandeliers of gilded bronze with pink glass pendants. Hyacinthe made him a sign to sit down, then she went over to a group of people sitting on divans in a dark corner. Rather vexed at being left here, away from the centre of activity, Durtal noticed that there were many women and few men present, but his efforts to discover their features were unavailing. … women were not chattering to each other. Their conversation seemed awed and grave. Not a laugh, not a raised voice, was heard, but an irresolute, furtive whispering, unaccompanied by gesture.

"Hmm," he said to himself. "It doesn't look as if Satan made his faithful happy."

A choir boy, clad in red, advanced to the end of the chapel and lighted a stand of candles. Then the altar became visible. It was an ordinary church altar on a tabernacle above which stood an infamous, derisive Christ. The head had been raised and the neck lengthened, and wrinkles, painted in the cheeks, transformed the grieving face to a be***al one twisted into a mean laugh. He was naked, and where the loincloth should have been, there was a virile member projecting from a bush of horsehair. In front of the tabernacle the chalice, covered with a pall, was placed. The choir boy folded the altar cloth, wiggled his haunches, stood tiptoe on one foot and flipped his arms as if to fly away like a cherub, on pretext of reaching up to light the black tapers whose odour of coal tar and pitch was now added to the pestilential smell of the stuffy room.
Durtal recognized beneath the red robe the "fairy" who had guarded the chapel entrance, and he understood the rôle reserved for this man, whose sacrilegious nastiness was substituted for the purity of childhood acceptable to the Church.

Then another choir boy, more hideous yet, exhibited himself. Hollow chested, racked by coughs, withered, made up with white grease paint and vivid carmine, he hobbled about humming. He approached the tripods flanking the altar, stirred the smouldering incense pots and threw in leaves and chunks of resin.

Durtal was beginning to feel uncomfortable when Hyacinthe rejoined him. She excused herself for having left him by himself so long, invited him to change his place, and conducted him to a seat far in the rear, behind all the rows of chairs.

"This is a real chapel, isn't it?" he asked.

"Yes. This house, this church, the garden that we crossed, are the remains of an old Ursuline convent. For a long time this chapel was used to store hay. The house belonged to a livery-stable keeper, who sold it to that woman," and she pointed out a stout brunette of whom Durtal before had caught a fleeting glimpse.

"Is she married?"

"No. She is a former nun who was debauched long ago by Docre."

"Ah. And those gentlemen who seem to be hiding in the darkest places?"

"They are Satanists. There is one of them who was a professor in the School of Medicine. In his home he has an oratorium where he prays to a statue of Venus Astarte mounted on an altar."

"No!"

"I mean it. He is getting old, and his demoniac orisons increase tenfold his forces, which he is using up with creatures of that sort," and with a gesture she indicated the choir boys.
"You guarantee the truth of this story?"

"You will find it narrated at great length in a religious journal. Les annales de la sainteté. And though his identity was made pretty patent in the article, the man did not dare prosecute the editors.—What's the matter with you?" she asked, looking at him closely.

"I'm strangling. The odour from those incense burners is unbearable."

"You will get used to it in a few seconds."

"But what do they burn that smells like that?"
"Asphalt from the street, LEAVES OF HENBANE, DATURA, DRIED NIGHTSHADE, AND MYRRH. These are perfumes delightful to Satan, our master."

"Here he comes!" she murmured suddenly, while women in front of them scurried about or knelt in front of the chairs.
Preceded by the two choir boys the canon entered, wearing a scarlet bonnet from which two buffalo horns of red cloth protruded.

The canon solemnly knelt before the altar, then mounted the steps and began to say mass. Durtal saw then that he had nothing on beneath his sacrificial habit. His black socks and his flesh bulging over the garters, attached high up on his legs, were plainly visible. The chasuble had the shape of an ordinary chasuble but was of the dark red colour of dried blood, and in the middle, in a triangle around which was an embroidered border of colchicum, savin, sorrel, and spurge, was the figure of a black billy-goat presenting his horns.
Docre made the genuflexions, the full-or half-length inclinations specified by the ritual. The kneeling choir boys sang the Latin responses in a crystalline voice which trilled on the ultimate syllables of the words.

"But it's a simple low mass," said Durtal to Mme. Chantelouve.
She shook her head. Indeed, at that moment the choir boys passed behind the altar and one of them brought back copper chafing-dishes, the other, censers, which they distributed to the congregation. All the women enveloped themselves in the smoke. Some held their heads right over the chafing-dishes and inhaled deeply, then, fainting, unlaced themselves, heaving raucous sighs.

The sacrifice ceased. The priest descended the steps backward, knelt on the last one, and in a sharp, tripidant voice cried:

"Master of Slanders, Dispenser of the benefits of crime, Administrator of sumptuous sins and great vices, Satan, thee we adore, reasonable God, just God!

"Superadmirable legate of false trances, thou receivest our beseeching tears; thou savest the honour of families by aborting wombs impregnated in the forgetfulness of the good or**sm; thou dost suggest to the mother the hastening of untimely birth, and thine obstetrics spares the still-born children the anguish of maturity, the contamination of original sin.

"Mainstay of the despairing Poor, Cordial of the Vanquished, it is thou who endowest them with hypocrisy, ingratitude, and stiff-neckedness, that they may defend themselves against the children of God, the Rich.

"Suzerain of Resentment, Accountant of Humiliations, Treasurer of old Hatreds, thou alone dost fertilize the brain of man whom injustice has crushed; thou breathest into him the idea of meditated vengeance, sure misdeeds; thou incitest him to murder; thou givest him the abundant joy of accomplished reprisals and permittest him to taste the intoxicating draught of the tears of which he is the cause.

"Hope of Virility, Anguish of the Empty Womb, thou dost not demand the bootless offering of chaste loins, thou dost not sing the praises of Lenten follies; thou alone receivest the carnal supplications and petitions of poor and avaricious families. Thou determinest the mother to sell her daughter, to give her son; thou aidest sterile and reprobate loves; Guardian of strident Neuroses, Leaden Tower of Hysteria, bloody Vase of R**e!

"Master, thy faithful servants, on their knees, implore thee and supplicate thee to satisfy them when they wish the torture of all those who love them and aid them; they supplicate thee to assure them the joy of delectable misdeeds unknown to justice, spells whose unknown origin baffles the reason of man; they ask, finally, glory, riches, power, of thee, King of the Disinherited, Son who art to overthrow the inexorable Father!"
Then Docre rose, and erect, with arms outstretched, vociferated in a ringing voice of hate:

"And thou, thou whom, in my quality of priest, I force, whether thou wilt or no, to descend into this host, to incarnate thyself in this bread, Jesus, Artisan of Hoaxes, Bandit of Homage, Robber of Affection, hear! Since the day when thou didst issue from the complaisant bowels of a Virgin, thou hast failed all thine engagements, belied all thy promises. Centuries have wept, awaiting thee, fugitive God, mute God! Thou wast to redeem man and thou hast not, thou wast to appear in thy glory, and thou sleepest. Go, lie, say to the wretch who appeals to thee, 'Hope, be patient, suffer; the hospital of souls will receive thee; the angels will assist thee; Heaven opens to thee.' Impostor! thou knowest well that the angels, disgusted at thine inertness, abandon thee! Thou wast to be the Interpreter of our plaints, the Chamberlain of our tears; thou wast to convey them to the Father and thou hast not done so, for this intercession would disturb thine eternal sleep of happy satiety.

"Thou hast forgotten the poverty thou didst preach, enamoured vassal of Banks! Thou hast seen the weak crushed beneath the press of profit; thou hast heard the death rattle of the timid, paralyzed by famine, of women disembowelled for a bit of bread, and thou hast caused the Chancery of thy Simoniacs, thy commercial representatives, thy Popes, to answer by dilatory excuses and evasive promises, sacristy Shyster, huckster God!

"Master, whose inconceivable ferocity engenders life and inflicts it on the innocent whom thou darest damn—in the name of what original sin?—whom thou darest punish—by the virtue of what covenants?—we would have thee confess thine impudent cheats, thine inexpiable crimes! We would drive deeper the nails into thy hands, press down the crown of thorns upon thy brow, bring blood and water from the dry wounds of thy sides.

"And that we can and will do by violating the quietude of thy body, Profaner of ample vices, Abstractor of stupid purities, cursed Nazarene, do-nothing King, coward God!" "Amen!" trilled the soprano voices of the choir boys.

Durtal listened in amazement to this torrent of blasphemies and insults. The foulness of the priest stupefied him. A silence succeeded the litany. The chapel was foggy with the smoke of the censers. The women, hitherto taciturn, flustered now, as, remounting the altar, the canon turned toward them and blessed them with his left handin a sweeping gesture. And suddenly the choir boys tinkled the prayer bells.

It was a signal. The women fell to the carpet and writhed. One of them seemed to be worked by a spring. She threw herself prone and waved her legs in the air. Another, suddenly struck by a hideous strabism, clucked, then becoming tongue-tied stood with her mouth open, the tongue turned back, the tip cleaving to the palate. Another, inflated, livid, her pupils dilated, lolled her head back over her shoulders, then je**ed it brusquely erect and belaboured herself, tearing her breast with her nails. Another, sprawling on her back, undid her skirts, drew forth a rag, enormous, meteorized; then her face twisted into a horrible grimace, and her tongue, which she could not control, stuck out, bitten at the edges, harrowed by red teeth, from a bloody mouth.

Suddenly Durtal rose, and now he heard and saw Docre distinctly.

Docre contemplated the Christ surmounting the tabernacle, and with arms spread wide apart he spewed forth frightful insults, and, at the end of his forces, muttered the billingsgate of a drunken cabman. One of the choir boys knelt before him with his back toward the altar. A shudder ran around the priest's spine. In a solemn but jerky voice he said, "Hoc est enim corpus meum," then, instead of kneeling, after the consecration, before the precious Body, he faced the congregation, and appeared tumefied, haggard, dripping with sweat. He staggered between the two choir boys, who, raising the chasuble, displayed his naked belly. Docre made a few passes and the host sailed, tainted and soiled, over the steps.
Durtal felt himself shudder. A whirlwind of hysteria shook the room. While the choir boys sprinkled holy water on the pontiff's nakedness, women rushed upon the Eucharist and, grovelling in front of the altar, clawed from the bread humid particles and drank and ate divine ordure.

Another woman, curled up over a crucifix, emitted a rending laugh, then cried to Docre, "Father, father!" A crone tore her hair, leapt, whirled around and around as on a pivot and fell over beside a young girl who, huddled to the wall, was writhing in convulsions, frothing at the mouth, weeping, and spitting out frightful blasphemies. And Durtal, terrified, saw through the fog the red horns of Docre, who, seated now, frothing with rage, was chewing up sacramental wafers, taking them out of his mouth, wiping himself with them, and distributing them to the women, who ground them underfoot, howling, or fell over each other struggling to get hold of them and violate them.

The place was simply a madhouse, a monstrous pandemonium of prostitutes and maniacs. Now, while the choir boys gave themselves to the men, and while the woman who owned the chapel, mounted the altar caught hold of the phallus of the Christ with one hand and with the other held a chalice between "His" naked legs, a little girl, who hitherto had not budged, suddenly bent over forward and howled, howled like a dog. Overcome with disgust, nearly asphyxiated, Durtal wanted to flee. He looked for Hyacinthe. She was no longer at his side. He finally caught sight of her close to the canon and, stepping over the writhing bodies on the floor, he went to her. With quivering nostrils she was inhaling the effluvia of the perfumes and of the couples.

"The sabbatic odour!" she said to him between clenched teeth, in a strangled voice.

"Here, let's get out of this!"

She seemed to wake, hesitated a moment, then without answering she followed him. He elbowed his way through the crowd, jostling women whose protruding teeth were ready to bite. He pushed Mme. Chantelouve to the door, crossed the court, traversed the vestibule, and, finding the portress' lodge empty, he drew the cord and found himself in the street.
There he stopped and drew the fresh air deep into his lungs. Hyacinthe, motionless, dizzy, huddled to the wall away from him.

He looked at her. "Confess that you would like to go in there again."

"No," she said with an effort. "These scenes shatter me. I am in a daze. I must have a glass of water."
And she went up the street, leaning on him, straight to the wine shop, which was open. It was an ignoble lair, a little room with tables and wooden benches, a zinc counter, cheap bar fixtures, and blue-stained wooden pitchers; in the ceiling a U-shaped gas bracket. Two pick-and-shovel labourers were playing cards. They turned around and laughed. The proprietor took the excessively short-stemmed pipe from his mouth and spat into the sawdust. He seemed not at all surprised to see this fashionably gowned woman in his dive. Durtal, who was watching him, thought he surprised an understanding look exchanged by the proprietor and the woman.

The proprietor lighted a candle and mumbled into Durtal's ear, "Monsieur, you can't drink here with these people watching. I'll take you to a room where you can be alone."

"Hmmm," said Durtal to Hyacinthe, who was penetrating the mysteries of a spiral staircase, "A lot of fuss for a glass of water!"

Her eyes were sombre, mad. She enlaced Durtal.

"No!" he shouted, furious at having fallen into this trap. "I've had enough of that. It's late. Your husband is waiting for you. It's time for you to go back to him—"

She did not even hear him.

"I want you," she said, and she took him treacherously and obliged him to desire her. She disrobed, threw her skirts on the floor, opened wide the abominable couch, and raising her chemise in the back she rubbed her spine up and down over the coarse grain of the sheets. A look of swooning ecstasy was in her eyes and a smile of joy on her lips.

She seized him, and, with ghoulish fury, dragged him into obscenities of whose existence he had never dreamed. Suddenly, when he was able to escape, he shuddered, for he perceived that the bed was strewn with fragments of hosts.
"Oh, you fill me with horror! Dress, and let's get out of here."
While, with a faraway look in her eyes, she was silently putting on her clothes, he sat down on a chair. The fetidness of the room nauseated him. Then, too—he was not absolutely convinced of Transubstantiation—he did not believe very firmly that the Saviour resided in that soiled bread—but—In spite of himself, the sacrilege he had involuntarily participated in saddened him.

"Suppose it were true," he said to himself, "that the Presence were real, as Hyacinthe and that miserable priest attest—No, decidedly, I have had enough. I am through. The occasion is timely for me to break with this creature whom from our very first interview I have only tolerated, and I'm going to seize the opportunity."

23/07/2019

Quotes were taken from Ka*****ra:
http://indohistory.com/kamasutra.html

See also, The Classic translation of 1883
The Vatsayayana K**a Sutra by Sir Richard Francis Burton [PDF]
http://burtoniana.org/books/1883-K**a%20Sutra/1883-K**aSutra.pdf

Introduction of the Ka*****ra
IT may be interesting to some persons to learn how it came about that Vatsyayana was first brought to light and translated into the English language. It happened thus. While translating with the pundits the `Anunga Runga, or the stage of love', reference was frequently found to be made to one Vatsya. The sage Vatsya was of this opinion, or of that opinion. The sage Vatsya said this, and so on. Naturally questions were asked who the sage was, and the pundits replied that Vatsya was the author of the standard work on love in Sanscrit literature, that no Sanscrit library was complete without his work, and that it was most difficult now to obtain in its entire state. The copy of the manuscript obtained in Bombay was defective, and so the pundits wrote to Benares, Calcutta and Jeypoor for copies of the manuscript from Sanscrit libraries in those places. Copies having been obtained, they were then compared with each other, and with the aid of a Commentary called `Jayamangla' a revised copy of the entire manuscript was prepared, and from this copy the English translation was made. The following is the certificate of the chief pundit:
`The accompanying manuscript is corrected by me after comparing four different copies of the work. I had the assistance of a Commentary called "Jayamangla" for correcting the portion in the first five parts, but found great difficulty in correcting the remaining portion, because, with the exception of one copy thereof which was tolerably correct, all the other copies I had were far too incorrect. However, I took that portion as correct in which the majority of the copies agreed with each other.'

PART I: CHAPTER I
PREFACE
SALUTATION TO DHARMA, ARTHA AND K**A
IN the beginning, the Lord of Beings created men and women, and in the form of commandments in one hundred thousand chapters laid down rules for regulating their existence with regard to Dharma, 1 Artha, 2 and K**a. 3 Some of these commandments, namely those which treated of Dharma, were separately written by Swayambhu Manu; those that related to Artha were compiled by Brihaspati; and those that referred to K**a were expounded by Nandi, the follower of Mahadeva, in one thousand chapters.

Footnotes
1 Dharma is acquisition of religious merit, and is fully described in Chapter 5, volume III, of Talboys Wheeler's History of India, and in the edicts of Asoka.
2 Artha is acquisition of wealth and property, etc.
3 K**a is love, pleasure and sensual gratification. These three words are retained throughout in their original, as technical terms. They may also be defined as virtue, wealth and pleasure, the three things repeatedly spoken of in the Laws of Manu.

PART I: CHAPTER II
ON THE ACQUISITION OF DHARMA, ARTHA AND K**A

Objection 4
Those who are inclined to think that Artha is the chief object to be obtained argue thus. Pleasures should not be sought for, because they are obstacles to the practice of Dharma and Artha, which are both superior to them, and are also disliked by meritorious persons. Pleasures also bring a man into distress, and into contact with low persons; they cause him to commit unrighteous deeds, and produce impurity in him; they make him regardless of the future, and encourage carelessness and levity. And lastly, they cause him to be disbelieved by all, received by none, and despised by everybody, including himself. It is notorious, moreover, that many men who have given themselves up to pleasure alone, have been ruined along with their families and relations. Thus, king Dandakya, of the Bhoja dynasty, carried off a Brahman's daughter with evil intent, and was eventually ruined and lost his kingdom. Indra, too, having violated the chastity of Ahalya, was made to suffer for it. In a like manner the mighty Kichaka, who tried to seduce Draupadi, and Ravana, who attempted to gain over Sita, were punished for their crimes. These and many others fell by reason of their pleasures. 4

Answer
This objection cannot be sustained, for pleasures, being as necessary for the existence and well being of the body as food, are consequently equally required. They are, moreover, the results of Dharma and Artha. Pleasures are, therefore, to be followed with moderation and caution. No one refrains from cooking food because there are beggars to ask for it, or from sowing seed because there are deer to destroy the corn when it is grown up.
Thus a man practising Dharma, Artha and K**a enjoys happiness both in this world and in the world to come. The good perform those actions in which there is no fear as to what is to result from them in the next world, and in which there is no danger to their welfare. Any action which conduces to the practice of Dharma, Artha and K**a together, or of any two, or even one of them, should be performed, but an action which conduces to the practice of one of them at the expense of the remaining two should not be performed.
FOOTNOTE
4 Dandakya is said to have abducted from the forest the daughter of a Brahman, named Bhargava, and, being cursed by the Brahman, was buried with his kingdom under a shower of dust. The place was called after his name the Dandaka forest, celebrated in the Bamayana, but now unknown.
Ahalya was the wife of the sage Gautama. Indra caused her to believe that he was Gautama, and thus enjoyed her. He was cursed by Gautama and subsequently afflicted with a thousand ulcers on his body.
Kichaka was the brother-in-law of King Virata, with whom the Pandavas had taken refuge for one year. Kichaka was killed by Bhima, who assumed the disguise of Draupadi. For this story the Mahabarata should be referred to.
The story of Ravana is told in the Ramayana, which with the Mahabarata form the two great epic poems of the Hindoos; the latter was written by Vyasa, and the former by Valmiki.

PART I: CHAPTER III
ON THE ARTS AND SCIENCES TO BE STUDIED
MAN should study the K**a Sutra and the arts and sciences subordinate thereto, in addition to the study of the arts and sciences contained in Dharma and Artha. Even young maids should study this K**a Sutra along with its arts and sciences before marriage, and after it they should continue to do so with the consent of their husbands.

PART I: CHAPTER V
ABOUT THE KINDS OF WOMEN RESORTED TO BY THE CITIZENS, AND OF FRIENDS AND MESSENGERS
The following women are not to be enjoyed:
 A l***r
 A lunatic
 A woman turned out of caste
 A woman who reveals secrets
 A woman who publicly expresses desire for sexual in*******se
 A woman who is extremely white
 A woman who is extremely black
 A bad-smelling woman
 A woman who is a near relation
 A woman who is a female friend
 A woman who leads the life of an ascetic
 And, lastly the wife of a relation, of a friend, of a learned Brahman, and of the king
The followers of Babhravya say that any woman who has been enjoyed by five men is a fit and proper person to be enjoyed. But Gonikaputra is of opinion that even when this is the case, the wives of a relation, of a learned Brahman and of a king should be excepted.

PART II: CHAPTER I
KINDS OF SEXUAL UNION ACCORDING TO DIMENSIONS, FORCE OF DESIRE OR PASSION, TIME
KIND OF UNION
MAN is divided into three classes, viz. the hare man, the bull man, and the horse man, according to the size of his lingam.
Woman also, according to the depth of her yoni, is either a female deer, a mare, or a female elephant.
There are thus three equal unions between persons of corresponding dimensions, and there are six unequal unions, when the dimensions do not correspond, or nine in all, as the following table shows:
EQUAL UNEQUAL
MEN WOMEN MEN WOMEN
Hare Deer Hare Mare
Bull Mare Hare Elephant
Horse Elephant Bull Deer
Bull Elephant
Horse Deer
Horse Mare

In these unequal unions, when the male exceeds the female in point of size, his union with a woman who is immediately next to him in size is called high union, and is of two kinds; while his union with the woman most remote from his size is called the highest union, and is of one kind only. On the other hand, when the female exceeds the male in point of size, her union with a man immediately next to her in size is called low union, and is of two kinds; while her union with a man most remote from her in size is called the lowest union, and is of one kind only.
In other words, the horse and mare, the bull and deer, form the high union, while the horse and deer form the highest union. On the female side, the elephant and bull, the mare and hare, form low unions, while the elephant has and the hare make the lowest unions. There are, then, nine kinds of union according to dimensions. Amongst all these, equal unions are the best, those of a superlative degree, i.e. the highest and the lowest, are the worst, and the rest are middling, and with them the high 1 are better than the low.
There are also nine kinds of union according to the force of passion or carnal desire, as follows:
MEN WOMEN MEN WOMEN
Small Small Small Middling
Middling Middling Small Intense
Intense Intense Middling Small
Middling Intense
Intense Small
Intense Middling

A man is called a man of small passion whose desire at the time of sexual union is not great, whose semen is scanty, and who cannot bear the warm embraces of the female.
Those who differ from this temperament are called men of middling passion, while those of intense passion are full of desire.
In the same way, women are supposed to have the three degrees of feeling as specified above.
Lastly, according to time there are three kinds of men and women, the short-timed, the moderate-timed, and the long-timed; and of these, as in the previous statements, there are nine kinds of union.
But on this last head there is a difference of opinion about the female, which should be stated.
Auddalika says, 'Females do not emit as males do. The males simply remove their desire, while the females, from their consciousness of desire, feel a certain kind of pleasure, which gives them satisfaction, but it is impossible for them to tell you what kind of pleasure they feel. The fact from which this becomes evident is, that males, when engaged in coition, cease of themselves after emission, and are satisfied, but it is not so with females.'
This opinion is however objected to on the grounds that, if a male be a long-timed, the female loves him the more, but if he be short-timed, she is dissatisfied with him. And this circumstance, some say, would prove that the female emits also.
But this opinion does not hold good, for if it takes a long time to allay a woman's desire, and during this time she is enjoying great pleasure, it is quite natural then that she should wish for its continuation. And on this subject there is a verse as follows:
'By union with men the lust, desire, or passion of women is satisfied, and the pleasure derived from the consciousness of it is called their satisfaction.'
The followers of Babhravya, however, say that the semen of women continues to fall from the beginning of the sexual union to its end, and it is right that it should be so, for if they had no semen there would be no embryo.
To this there is an objection. In the beginning of coition the passion of the woman is middling, and she cannot bear the vigorous thrusts of her lover, but by degrees her passion increases until she ceases to think about her body, and then finally she wishes to stop from further coition.

PART II: CHAPTER IX
OF THE AUPARISHTAKA OR MOUTH CONGRESS
THERE are two kinds of eunuchs, those that are disguised as males, and those that are disguised as females. Eunuchs disguised as females imitate their dress, speech, gestures, tenderness, timidity, simplicity, softness and bashfulness. The acts that are done on the jaghana or middle parts of women, are done in the mouths of these eunuchs, and this is called Auparishtaka. 1 These eunuchs derive their imaginable pleasure, and their livelihood from this kind of congress, and they lead the life of courtesans. So much concerning eunuchs disguised as females.

Footnotes
1 This practice appears to have been prevalent in some parts of India from a very ancient time. The Shustruta , a work on medicine some two thousand years old, describes the wounding of the lingam with the teeth as one of the causes of a disease treated upon in that work. Traces of the practice are found as far back as the eighth century, for various kinds of the Auparishtaka are represented in the sculptures of many Shaiva temples at Bhuvaneshwara, near Cuttack, in Orissa, and which were built about that period. From these sculptures being found in such places, it would seem that this practice was popular in that part of the country at that time. It does not seem to be so prevalent now in Hindustan, its place perhaps is filled up by the practice of so**my, introduced since the Mahomedan period.

PART IV: CHAPTER I
ON THE MANNER OF LIVING OF A VIRTUOUS WOMAN, AND OF HER BEHAVIOUR DURING THE ABSENCE OF HER HUSBAND

There are also some verses on the subject as follows:
'The wife, whether she be a woman of noble family, or a virgin widow 1 remarried, or a concubine, should lead a chaste life, devoted to her husband, and doing everything for his welfare. Women acting thus acquire Dharma, Artha, and K**a, obtain a high position, and generally keep their husbands devoted to them.

Footnotes
1 This probably refers to a girl married in her infancy, or when very young and whose husband had died before she arrived at the age of puberty. Infant marriages are still the common custom of the Hindoos.

PART V: CHAPTER IV
ABOUT THE BUSINESS OF A GO-BETWEEN
But to return to our subject. The go-between should tell the woman about the obedience and love of the man, and as her confidence and affection increase, she should then explain to her the thing to be accomplished in the following way. 'Hear this, Oh beautiful lady, that this man, born of a good family, having seen you, has gone mad on your account. The poor young man, who is tender by nature, has never been distressed in such a way before, and it is highly probable that he will succumb under his present affliction, and experience the pains of death.' If the woman listens with a favourable ear, then on the following day the go-between, having observed marks of good spirits in her face, in her eyes, and in her manner of conversation, should again converse with her on the subject of the man, and should tell her the stories of Ahalya 1and Indra, of Sakoontala 2 and Dushyanti, and such others as may be fitted for the occasion. She should also describe to her the strength of the man, his talents, his skill in the sixty-four sorts of enjoyments mentioned by Babhravya, his good looks, and his liaison with some praiseworthy woman, no matter whether this last ever took place or not.

Footnotes
1 The wife of the sage Gautama, she was seduced by Indra the king of the Gods.
2 The heroine of one of the best, if not the best, of Hindoo plays, and the best known in Sanscrit dramatic literature. It was first brought to notice by Sir William Jones, and has been well and poetically translated by Dr Monier Williams under the title of Sakoontala, or the lost ring, an Indian drama, translated into English prose and verse from the Sanscrit of Kalidasa.

PART V: CHAPTER V
ABOUT THE LOVE OF PERSONS IN AUTHORITY FOR THE WIVES OF OTHER MEN

There are also two verses on the subject as follows:
'The above and other ways are the means employed in different countries by kings with regard to the wives of other persons. But a king, who has the welfare of his people at heart, should not on any account put them into practice.'
'A king, who has conquered the six 8 enemies of mankind, becomes the master of the whole earth.'

Footnote
8 These are Lust, Anger, Avarice, Spiritual Ignorance, Pride, and Envy.

PART V: CHAPTER VI
ABOUT THE WOMEN OF THE ROYAL HAREM; AND OF THE KEEPING OF ONE'S OWN WIFE
THE women of the royal harem cannot see or meet any men on account of their being strictly guarded, neither do they have their desires satisfied, because their only husband is common to many wives. For this reason among themselves they give pleasure to each other in various ways as now described.
Having dressed the daughters of their nurses, or their female friends, or their female attendants, like men, they accomplish their object by means of bulbs, roots, and fruits having the form of the lingam, or they lie down upon the statue of a male figure, in which the lingam is visible and erect.
Some kings, who are compassionate, take or apply certain medicines to enable them to enjoy many wives in one night, simply for the purpose of satisfying the desire of their women, though they perhaps have no desire of their own.

PART V: CHAPTER VI
ABOUT THE WOMEN OF THE ROYAL HAREM; AND OF THE KEEPING OF ONE'S OWN WIFE

If that place is occupied by the king's sentinels, he should then disguise himself as a female attendant of the lady who comes to the place, or passes by it. When she looks at him he should let her know his feelings by outward signs and gestures, and should show her pictures, things with double meanings, chaplets of flowers, and rings. He should carefully mark the answer she gives, whether by word or by sign, or by gesture, and should then try and get into the harem. If he is certain of her coming to some particular place he should conceal himself there, and at the appointed time should enter along with her as one of the guards. He may also go in and out, concealed in a folded bed, or bed covering, or with his body made invisible, 1 by means of external applications, a receipt for one of which is as follows:

The heart of an ichneumon, the fruit of the long gourd (tumbi), and the eyes of a serpent should all be burnt without letting out the smoke. The ashes should then be ground and mixed in equal quantities with water. By putting this mixture upon the eyes a man can go about unseen.
Other means of invisibility are prescribed by Duyana Brahmans and Jogashiras.

Footnotes
1 The way to make oneself invisible, the knowledge of the art of transmigration, or changing ourselves or others into any shape or form by the use of charms and spells, the power of being in two places at once, and other occult sciences are frequently referred to in all Oriental literature.

PART VI: INTRODUCTORY REMARKS
THIS Part VI, about courtesans, was prepared by Vatsyayana from a treatise on the subject that was written by Dattaka, for the women of Pataliputra (the modern Patna), some two thousand years ago.
The details of the domestic and social life of the early Hindoos would not be complete without mention of the courtesan, and Part VI is entirely devoted to this subject. The Hindoos have ever had the good sense to recognise courtesans as a part and portion of human society, and so long as they behaved themselves with decency and propriety they were regarded with a certain respect. Anyhow, they have never been treated in the East with that brutality and contempt so common in the West, while their education has always been of a superior kind to that bestowed upon the rest of womankind in Oriental countries.

PART VI: CHAPTER I
OF THE CAUSES OF A COURTESAN RESORTING TO MEN; OF THE MEANS OF ATTACHING TO HERSELF THE MAN DESIRED; AND OF THE KIND OF MAN THAT IT IS DESIRABLE TO BE ACQUAINTED WITH
(NOTE, a courtesan is the polite word for a W***E)

A courtesan, well dressed and wearing her ornaments, should sit or stand at the door of her house, and, without exposing herself too much, should look on the public road so as to be seen by the passers by, she being like an object on view for sale. 1
The following are the ordinary qualities of all women:
To be possessed of intelligence, good disposition, and good manners; to be straightforward in behaviour, and to be grateful; to consider well the future before doing anything; to possess activity, to be of consistent behaviour, and to have a knowledge of the proper times and places for doing things; to speak always without meanness, loud laughter, malignity, anger, avarice, dullness, or stupidity; to have a knowledge of the K**a Sutra, and to be skilled in all the arts connected with it.

Footnotes
1 1 In England the lower classes of courtesans walk the streets: in India and other places in the East, they sit at the windows, or at the doors of their houses.

PART VI: CHAPTER II
OF LIVING LIKE A WIFE

When the man sets out on a journey, she should make him swear that he will return quickly, and in his absence should put aside her vows of worshipping the Deity, and should wear no ornaments except those that are lucky. If the time fixed for his return has passed, she should endeavour to ascertain the real time of his return from omens, from the reports of the people, and from the positions of the planets, the moon and the stars. On occasions of amusement, and of auspicious dreams, she should say 'Let me be soon united to him.' If, moreover, she feels melancholy, or sees any inauspicious omen, she should perform some rite to appease the Deity. 1
When the man does return home she should worship the God K**a', and offer oblations to other Deities, and having caused a pot filled with water to be brought by her friends, she should perform the worship in honour of the crow who eats the offerings which we make to the manes of deceased relations. After the first visit is over she should ask her lover also to perform certain rites, and this he will do if he is sufficiently attached to her.
Footnotes
1 K**a, i.e. the Indian Cupid

PART VI: CHAPTER III
OF THE MEANS OF GETTING MONEY, OF THE SIGNS OF THE CHANGE OF A LOVER'S FEELINGS, AND OF THE WAY TO GET RID OF HIM

Now the artifices to be used for getting money from her lover are as follows:
Pretending to be obliged to make gifts on occasion of festivals connected with vows, trees, gardens, temples, or tanks. 1
Footnotes
1 On the completion of a vow a festival takes place. Some trees, such as the Peepul and Banyan trees, are invested with sacred threads like the Brahman's, and on the occasion of this ceremony a festival is given. In the same way when gardens are made, and tanks or temples built, then also festivals are observed.

PART VI: CHAPTER V
OF DIFFERENT KINDS OF GAIN

The gains of the wealthiest and best kind of courtesans are to be spent as follows:
Building temples, tanks, and gardens; giving a thousand cows to different Brahmans; carrying on the worship of the Gods, and celebrating festivals in their honour; and lastly, performing such vows as may be within their means.

When a courtesan intends to abandon a particular lover, and take up with another one; or when she has reason to believe that her lover will shortly leave her, and return to his wives; or that having squandered all his money, and become penniless, his guardian, or master, or father would come and take him away; or that her lover is about to lose his position or, lastly, that he is of a very fickle mind, she should, under any of these circumstances, endeavour to get as much money as she can from him as soon as possible

On the other hand, when the courtesan thinks that her lover is about to receive valuable presents; or get a place of authority from the king; or be near the time of inheriting a fortune; or that his ship would soon arrive laden with merchandise; or that he has large stocks of corn and other commodities; or that if anything was done for him it would not be done in vain; or that he is always true to his word; then should she have regard to her future welfare, and live with the man like a wife.

There are also verses on the subject as follows:

'She should make every endeavour to unite herself with prosperous and well-to-do people, and with those whom it is dangerous to avoid, or to slight in any way. Even at some cost to herself she should become acquainted with energetic and liberal-minded men, who when pleased would give her a large sum of money, even for very little service, or for some small thing.'

PART VI: CHAPTER VI
OF GAINS AND LOSSES; ATTENDANT GAINS AND LOSSES; AND DOUBTS; AS ALSO OF THE DIFFERENT KINDS OF COURTESANS

Now gain is of three kinds: gain of wealth, gain of religious merit, and gain of pleasure; and similarly loss is of three kinds: loss of wealth, loss of religious merit, and loss of pleasure. At the time when gains are sought for, if other gains come along with them, these are called attendant gains. When gain is uncertain, the doubt of its being a gain is called a simple doubt. When there is a doubt whether either of two things will happen or not, it is called a mixed doubt. If while one thing is being done two results take place, it is called a combination of two results, and if several results follow from the same action, it is called a combination of results on every side.

In the next place we come to doubts, which are again of three kinds: doubts about wealth, doubts about religious merit, and doubts about pleasures.

When a courtesan feels doubtful whether she would lose religious merit by abandoning a man who is attached to her without giving him the slightest favour, and thereby causing him unhappiness in this world and the next, 1 this doubt is called a doubt about the loss of a religious merit.;

Footnotes
1 The souls of men who die with their desires unfulfilled are said to go to the world of the Manes, and not direct to the Supreme Spirit.

Mixed Doubts
When a courtesan is requested by a friend, or is impelled by pity to have in*******se with a learned Brahman, a religious student, a sacrificer, a devotee, or an ascetic who may have all fallen in love with her, and who may be consequently at the point of death, by doing this she might either gain or lose religious merit, and therefore this is called a mixed doubt about the gain and loss of religious merit.

There are also two verses on the subject as follows:
'Men want pleasure, while women want money, and therefore this part, which treats of the means of gaining wealth, should be studied.'
'There are some women who seek for love, and there are others who seek for money; for the former the ways of love are told in previous portions of this work, while the ways of getting money, as practiced, by courtesans, are described in this part.

PART VII: CHAPTER I
ON PERSONAL ADORNMENT; ON SUBJUGATING THE HEARTS OF OTHERS; AND ON TONIC MEDICINES

When a female attendant arrives at the age of puberty, her master should keep her secluded, and when men ardently desire her on account of her seclusion, and on account of the difficulty of approaching her, he should then bestow her hand on such a person as may endow her with wealth and happiness.
This is a means of increasing the loveliness of a person in the eyes of others.
In the same way, when the daughter of a courtesan arrives at the age of puberty, the mother should get together a lot of young men of the same age, disposition, and knowledge as her daughter, and tell them that she would give her in marriage to the person who would give her presents of a particular kind.
After this the daughter should be kept in seclusion as far as possible, and the mother should give her in marriage to the man who may be ready to give her the presents agreed upon. If the mother is unable to get so much out of the man, she should show some of her own things as having been given to the daughter by the bridegroom.

If a man, after anointing his lingam with a mixture of the powders of the white thorn apple, the long pepper and, the black pepper, and honey, engages in sexual union with a woman, he makes her subject to his will.
The application of a mixture of the leaf of the plant vatodbhranta, of the flowers thrown on a human co**se when carried out to be burnt, and the powder of the bones of the peacock, and of the jiwanjiva bird produces the same effect.
The remains of a kite who has died a natural death, ground into powder, and mixed with cowach and honey, has also the same effect.
Anointing oneself with an ointment made of the plant emblica myrabolans has the power of subjecting women to one's will.
If a man cuts into small pieces the sprouts of the vajnasunhi plant, and dips them into a mixture of red arsenic and sulphur, and then dries them seven times, and applies this powder mixed with honey to his lingam, he can subjugate a woman to his will directly that he has had sexual union with her, or if, by burning these very sprouts at night and looking at the smoke, he sees a golden moon behind, he will then be successful with any woman; or if he throws some of the powder of these same sprouts mixed with the excrement of a monkey upon a maiden, she will not be given in marriage to anybody else.
If pieces of the arris root are dressed with the oil of the mango, and placed for six months in a hole made in the trunk of the sisu tree, and are then taken out and made up into an ointment, and applied to the lingam, this is said to serve as the means of subjugating women.
If the bone of a camel is dipped into the juice of the plant eclipta prostata, and then burnt, and the black pigment produced from its ashes is placed in a box also made of the bone of a camel, and applied together with antimony to the eye lashes with a pencil also made of the bone of a camel, then that pigment is said to be very pure, and wholesome for the eyes, and serves as a means of subjugating others to the person who uses it. The same effect can be produced by black pigment made of the bones of hawks, vultures, and peacocks.

Now the means of increasing sexual vigour are as follows:

Drinking milk, mixed with sugar, and having the testicle of a ram or a goat boiled in it, is also productive of vigour.

In the same way, if a man mixes rice with the eggs of the sparrow, and having boiled this in milk, adds to it ghee and honey, and drinks as much of it as necessary, this will produce the same effect.

If ghee, honey, sugar and liquorice in equal quantities, the juice of the fennel plant, and milk are mixed together, this nectar-like composition is said to be holy, and provocative of sexual vigour, a preservative of life, and sweet to the taste.

There are also verses on the subject as follows:
'The means 2 of producing love and sexual vigour should be learnt from the science of medicine, from the Vedas, from those who are learned in the arts of magic, and from confidential relatives. No means should be tried which are doubtful in their effects, which are likely to cause injury to the body, which involve the death of animals, and which bring us in contact with impure things. Such means should only be used as are holy, acknowledged to be good, and approved of by Brahmans, and friends.'

Footnote
2 'From the earliest times Oriental authors have occupied themselves about aphrodisiacs. The following note on the subject is taken from a translation of the HINDOO ART OF LOVE, otherwise the ANUNGA RUNGA, alluded to in the preface of this work, Part I, pages 87 and 88. `Most Eastern treatises divide aphrodisiacs into two different kinds; 1. the mechanical or natural, such as scarification, flagellation, etc; and 2. the medicinal or artifIcial. To the former belong the application of insects, as is practised by some savage races; and all orientalists will remember the tale of the old Brahman, whose young wife insisted upon his being again stung by a wasp.'

PART VII: CHAPTER II
OF THE WAYS OF EXCITING DESIRE, AND MISCELLANEOUS EXPERIMENTS, AND RECIPES
IF a man is unable to satisfy a Hastini, or Elephant woman, he should have recourse to various means to excite her passion. At the commencement he should rub her yoni with his hand or fingers, and not begin to have in*******se with her until she becomes excited, or experiences pleasure. This is one way of exciting a woman.
Or, he may make use of certain Apadravyas, or things which are put on or around the lingam to supplement its length or its thickness, so as to fit it to the yoni. In the opinion of Babhravya, these Apadravyas should be made of gold, silver, copper, iron, ivory, buffalo's horn, various kinds of wood, tin or lead, and should be soft, cool, provocative of sexual vigour, and well fitted to serve the intended purpose. Vatsyayana, however, says that they may be made according to the natural liking of each individual.

The people of the southern countries think that true sexual pleasure cannot be obtained without perforating the lingam, and they therefore cause it to be pierced like the lobes of the ears of an infant pierced for earrings.
Now, when a young man perforates his lingam he should pierce it with a sharp instrument, and then stand in water so long as the blood continues to flow. At night, he should engage in sexual in*******se, even with vigour, so as to clean the hole. After this he should continue to wash the hole with decoctions, and increase the size by putting into it small pieces of cane, and the wrightia antidysenterica, and thus gradually enlarging the or***ce. It may also be washed with liquorice mixed with honey, and the size of the hole increased by the fruit stalks of the simapatra plant. The hole should also be anointed with a small quantity of oil.

The ways of enlarging the lingam must be now related.
When a man wishes to enlarge his lingam, he should rub it with the bristles of certain insects that live in trees, and then, after rubbing it for ten nights with oils, he should again rub it with the bristles as before. By continuing to do this a swelling will be gradually produced in the lingam, and he should then lie on a cot, and cause his lingam to hang down through a hole in the cot. After this he should take away all the pain from the swelling by using cool concoctions. The swelling, which is called 'S**a', and is often brought about among the people of the Dravida country, lasts for life.

In addition to the above, other means may be learnt from experienced and confidential persons.
The miscellaneous experiments and recipes are as follows:
If a man mixes the powder of the milk hedge plant, and the kantaka plant with the excrement of a monkey and the powdered root of the lanjalika plant, and throws this mixture on a woman, she will not love anybody else afterwards.

An ointment made of the fruit of the asteracantha longifolia (kokilaksha) will contract the yoni of a Hastini or Elephant woman, and this contraction lasts for one night.
An ointment made by pounding the roots of the nelumbrium speciosum, and of the blue lotus, and the powder of the plant physalis flexuosa mixed with ghee and honey, will enlarge the yoni of the Mrigi or Deer woman.

If a lamp, trimmed with oil extracted from the shrawana and priyangu plants, its wick being made of cloth and the slough of the skins of snakes, is lighted, and long pieces of wood placed near it, those pieces of wood will resemble so many snakes.
Drinking the milk of a white cow who has a white calf at her foot is auspicious, produces fame, and preserves life.

The blessings of venerable Brahmans, well propitiated, have the same effect.
There are also some verses in conclusion:
'Thus have I written in a few words the "Science of love", after reading the texts of ancient authors, and following the ways of enjoyment mentioned in them.'
'He who is acquainted with the true principles of this science pays regard to Dharma, Artha, K**a, and to his own experiences, as well as to the teachings of others, and does not act simply on the dictates of his own desire. As for the errors in the science of love which I have mentioned in this work, on my own authority as an author, I have, immediately after mentioning them, carefully censured and prohibited them.'

'An act is never looked upon with indulgence for the simple reason that it is authorised by the science, because it ought to be remembered that it is the intention of the science, that the rules which it contains should only be acted upon in particular cases. After reading and considering the works of Babhravya and other ancient authors, and thinking over the meaning of the rules given by them, the K**a Sutra was composed, according to the precepts of Holy Writ, for the benefit of the world, by Vatsyayana, while leading the life of a religious student, and wholly engaged in the contemplation of the Deity.'
'This work is not intended to be used merely as an instrument for satisfying our desires. A person, acquainted with the true principles of this science, and who preserves his Dharma, Artha, and K**a, and has regard for the practices of the people, is sure to obtain the mastery over his senses.'
'In short, an intelligent and prudent person, attending to Dharma and Artha, and attending to K**a also, without becoming the slave of his passions, obtains success in everything that he may undertake.'

History of India, Indian History, Ka*****ra