Illumination Wellbeing Center

Illumination Wellbeing Center Sending all living things Love, Light and Healing
illuminationwell.com Visit the ILLUMINATION WELLBEING website for more details of offerings.

I am here to provide you with treatments, tools and knowledge to help put you in touch with the powerful healing ability that is within you. My clients range from people beating cancer, chronic pain,anxiety, depression, and P.T.S.D, to perfectly healthy people searching for direction and more meaning in their lives. A CELTIC LIGHT WEAVING treatment can help open you to a new horizon of hope, happiness and well being. You will also receive guidance and coaching in ways to "dip into" your own boundless well of healing energy. I also teach, and offer guided group meditations for beginners to advanced.The cost of 90 minute group meditation is $20.00. Art and creativity can be used as a pathway to spirituality and better health and well being. As a practicing artist and teacher, i also offer small group art classes and self help workshops .Art classes and workshops to help put you in touch with your Divine inner spirit. www.illuminationwell.com

12/07/2025

Mothers Night: The Ancient Pagan Origins of Santa?

An ancient winter festival which stems from at least the Iron Age is Mothers Night or Modraniht.
This celebration took place on solstice eve and was associated with honouring female ancestors and spirits, hence the association with mothers.
What may be surprising to some is that this celebration is also echoed in some Irish Christmas Eve folklore.

Unlike other less attested feasts which took place at this time, we have definitive written documentation of this celebration going back to the 8th century, and relics of these same deities in the form of the Dísir and Matres from the first century.
As with much in this area, there are also opposing interpretations of dates.
See here: https://www.aldsidu.com/post/old-english-heathens-a-time-to-re-evaluate-eostre-and-mothers-night
The oral tradition goes back much further, possibly to the early European fertility goddesses.
Similar Bronze Age triple goddesses are also found in Anatolia, perhaps indicating a proto-Indo-European root. The seven Matrika goddesses, for example, extend back to at least 3’000 BCE.
The Dísablót of Northern Europe was held during winter nights as well as the Vernal Equinox.
https://en.wikipedia.org/wiki/Dísablót

Now, this is an interesting occurrence because the fairies and spirits associated with the Pleiades (Including the aforementioned Matrika) were also acknowledged at these times. But that is probably a post for another time except to say that we should not be so quick to forget that the stars were as much a reason for seasonal celebration as the rebirth of the sun!
In this context, the longest nights of the year would have been a time when the stars were more present in the lives of people and therefore would have been seen to be more influential.
As I have written about quite a few times here, we are finding more and more monuments aligned to constellations and pole star positions on auspicious days which verifies this.
I would expect that this will be the case here in Ireland as well.

But back to Mothers Night. This was a night when offerings and sacrifices were made to the goddesses, the foremothers and female ancestors. Offering a portion of a meal, leaving out butter, honey or drink were popular means of appeasing and expressing respect and thanks.
Burning fires, incense and divining prophecy for the year ahead were other activities associated with this night. This should be no surprise considering the links between the Dísir, the Norns and Moirai, all triple groupings of supernatural women/ goddesses controlling fate.

It is interesting to look at this tradition in light of a previous goddess mentioned here, la Befana, who flew into houses bringing fortune to children who had been good, and pieces of coal to those who had been bad.
Befana is similarly connected to Perchta and the fairy queen, Nicnevin, who was often considered to lead The Wild Hunt at Yule. This was a procession of elves, fairy spirits, the dead and other supernatural entities.
Although it is often considered bad luck to encounter this hunt on parade it is interesting to note the more playful and teasing aspects of Irish folkloric encounters. (Not to ignore the actual deaths of others who are dragged along by this ghostly chase!)

This tradition of a woman travelling the world bringing gifts is also embedded in Irish lore. Could this be a remnant of the ancient goddesses bringing good fortune?
Here is one example of a surviving tale which was recorded in Carlow in 1937.
“It is said that every Christmas Eve night an old woman goes on a sleigh from one side of the world to the other. The sleigh is pulled by dogs and it goes on the clouds. One Christmas Eve the shaft of the sleigh broke and she fell to the ground. She landed beside a carpenter's shop. The carpenter made a shaft for her sleigh.
He watched and watched until she was out of sight then he looked at the ground and by some magic power all the chips turned into gold.”
Original source here: https://www.duchas.ie/en/cbes/5044666/5030337/5142569
With later Irish Christmas Eve folklore, much like with Brigid at Imbolg, for example, we see Mary substituted for the more ancient Goddess figure.

As you can see, then, there are also some startling parallels to la Befana, who was a goddess who flew from house to house in ancient tales in mainland Europe at Midwinter. And, as already mentioned, la Befana herself is connected to the goddesses Perchta and Holda.
The old woman in this instance might also be another form of the Cailleach, of course. There are strong links to the Cailleach initially being associated with Goddess figures of mainland Europe before the associations with Ireland and Scotland

There are also ancient traditions related to the Deer Mother figure of the Asian shamanic peoples as well the tribes of Scandinavia, Scotland and the indigenous North American peoples.
See the previous post for more on this. We have already mentioned how the various Goddess figures flew through the air on a sleigh, carried the sun in the antlers of a deer, and delivered gifts to the people.

So, perhaps Christmas Eve might also be remembered for its much older association with female ancestors and spirits, as well as it’s association with the beginning of a new yearly sun cycle.
Mother's Night was a moment of personal closeness and reflection for families, daughters and sons.
It was a time to remember the mothers who had passed on, and as the dark nights reached their end and the new light was about to be born it was the moment of contact between endings and new beginnings.

(C.) David Halpin.

Image Credit: Annie Hamman.

12/07/2025

All my life I have yearned for some strange land of poetry, and imagination, which is always beyond my reach. I can see it most plainly, odd enough, when I have committed a sin & am filled with remorse.

Music sometimes suggests such a land to me. I was whistling a tune I used to whistle long before when in the primary grades and for the same reason. It came over me all at once how my life so far seems to have been but a repetition of this always unsated yearning.

Charles E. Burchfield, Journals, December 7, 1915

Charles E. Burchfield (1893-1967), Telegraph Music, 1949; watercolor and ink on paper, 11 5/8 x 17 5/8 inches; Burchfield Penney Art Center, Gift of Charles Rand Penney, 1994

12/07/2025
12/06/2025

As the light wanes and the nights grow long, the Cailleach awakens. She is the ancient winter hag of the Highlands, the old woman of storms and stone, the keeper of frost and the quiet turning of the year. In Scottish tradition, her presence is not abstract—she is woven into the very landscape. With her staff she shapes mountains, summons blizzards, and freezes rivers into stillness. Her arrival is felt in the first hard frost, the bare trees, the wind that seems to carry an older voice through empty fields.

The Cailleach embodies endurance, sovereignty, and the sacredness of endings. She is the crone who knows that decay feeds new life, that the death of the year’s light is not a loss but a necessary pause. Folklore describes her as veiled and formidable, her hair white as spindrift, her eyes keen as ice. Sometimes she strides through the storm; other times she moves silently through frost-blackened forests, leaving the world transformed in her wake. To encounter her is to understand winter’s truth: stillness is not emptiness, but a deep, generative quiet.

Her stories are older than memory. In some traditions she rules the dark half of the year, handing over her power to Brigid at Imbolc when the first signs of thaw appear. In others, she renews her age each Samhain, drinking from the Well of Youth before stepping into her season of sovereignty. She counts the snows as markers of her rule, and with the planting of her staff she can freeze a loch, bring down a storm, or hush the land beneath a mantle of white. Her magic is elemental—patient, deliberate, and absolute.

The Cailleach is not a figure of fear but a presence to honor. She teaches that winter’s austerity has purpose, that the world—and our inner lives—require this quieting. As she moves across mountains and moors, her touch brings clarity: the stripping away of what cannot endure, the sharpening of what must. Under her watch, the land rests, seeds sleep, and the bones of the world show through. Her lessons are carved in frost—surrender, resilience, and the strength found in stillness.

Imagine her moving through the hills around you: heavy-footed across stone, brushing branches with a cold hand, drawing the hush deeper. Notice what is settling in your own life—what is falling away, what is being cleared, what lies dormant beneath the surface. Let her presence remind you that winter is not absence but preparation, and that the quiet season is holy in its own way.

In her wake, endings are honored. In her silence, wisdom roots. In her frost, the hidden world prepares to bloom again.

12/06/2025

As the nights draw in and the world settles into stillness, there is a quiet magic in the air — the soft hush of frost on the leaves, long shadows stretching across the landscape, and a gentle hush that invites reflection. This December, I’ve been weaving together something special for our Patreon circle: a space to step into the subtle enchantments of the season, to notice, to wonder, and to honor the rhythms of winter.

Throughout the month, we’ll be exploring the whispers and mysteries of the season — the hidden magic in frost, the stories the wind carries, and the lessons offered by the natural world. There will be prompts for reflection and journaling, brief immersive rituals, and gentle ways to connect with the quiet, transformative energy of winter. Together, we’ll move through folklore, creative responses, and the subtle guidance of winter’s animal companions.

There are small, tactile ways to bring the season into your space — delicate crafts, seasonal altars, and mindful observation practices that reveal the cycles, endings, and beginnings woven into these longer nights. Along the way, you’ll receive mystical letters and reflective notes — little pieces of the forest and winter grove sent to accompany you, grounding you in the rhythms and wisdom of the season.

This December, the invitation is simple: pause, notice, and walk gently with the magic that surrounds you. If you feel called to slow down, attune to the unseen, and explore the subtle enchantments of winter, I would love for you to join me over in our Patreon community.

patreon.com/wildflowerwomen

ART/"The Solstice Spirit", created by an illustrator known as "The Wild Illustrator on etsy

12/06/2025

Affirm, 'I find something special and fabulous to do for myself, and just have fun today!' 🌊

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