The Chicago Hypnotist

The Chicago Hypnotist Hypnotherapist, member of ASCH and the New York Milton Erickson Society for Psychology and Hypnosis. Alfrescos and mosaics lined the walls and floors.

Bio :
Giulio Bianco aka Mike G Bianco

I was born in the Abruzzo region of Italy - lived in a family property built in the 600's. By the age of 6, I started to live in many other countries: Ecuador, Nigeria, Saudí Arabia, Libia, Egypt, Tunisia. I Learned English, Spanish, Arabic and experienced the beauty of many cultures. As a teenager I went back to Italy and studied at the Liceum Of Art. I was exposed to architecture, philosophy, history of arts, chemistry. I started to draw and paint at 15. I then came to the U.S. to continue to educate myself, in communication, music, and in 2003 started my journey with hypnosis under the wings of The New York Society for Ericksonian Psychology and Hypnotherapy, funded by Dr. Sidney Rosen and Rita Sheer. I had extraordinary teachers like B. Liftschitz and J Gross. And I ultimately became a member of the school board. After graduating, I continued to have a thirst for knowledge, so I travelled to California to study under the guidance of Randal Churchill and Cheryl Canfield. I then absorbed knowledge from such masters as Gil Boyne, Ormond Mc Gill and expanded my professional education in regression, F. Pearls Gestalt therapy, dream work, parts therapy. Art has been my hobby, but at the same time one of my tools to help people spiritually and to move faster in therapy. I love to draw portraits and colorful abstracts. In 2004 I bought a home on Vieques Island in the Caribbean and created most of my art there. After hurricane Maria, I volunteered to be a ‘shrink’ with a group of doctors and during that time, grew even more awareness about how much hypnosis and art have in common. How they can impact the human mind and heart in countless ways...

04/09/2026

04/09/2026
04/09/2026

04/09/2026

04/08/2026

Before chloroform became fashionable, James Esdaile was in India performing surgery on patients in deep mesmeric trance.
Yes, surgery.

Tumors. Amputations. Abscesses.
Victorian medicine called it impossible, then inconvenient, then embarrassing.
Was Esdaile right about everything? Hardly.
Was he touching something real about pain, trance, and the strange obedience of the nervous system? Very likely.
History has a charming habit of mocking yesterday’s discoveries, right before repackaging them with newer vocabulary and better branding.
Call it mesmerism, hypnotic analgesia, altered states, focused attention, nervous system modulation, the old question remains the same:
How much of pain is flesh, and how much is meaning, fear, expectation, and suggestion?
Esdaile may have spoken in the language of his century, but the clinical mystery still lives.
Some men are forgotten because they were foolish.

Others are forgotten because they were early.

PainManagement MindBody Neuroscience AlteredStates TheChicagoHypnotist

04/08/2026

The Magnetic Surgeon

The Life and Secrets of Dr. James Esdaile
(an article by Mike G. Bianco)
Born amid the gray mists of Montrose, Scotland, on a cold morning in February 1808, James Esdaile was a child of silence and curiosity.

His father, a stern Presbyterian minister, raised him under the double burden of piety and reason, yet young James sought answers the pulpit could not provide. Wandering along the jagged coastline, staring into the leaden horizon, he asked himself questions not only about God, but about the very essence of suffering.

Why must the human being scream? Why does pain rule every fiber of the body like an absolute tyrant? This obsession with physical torment, not the romantic variety, but the visceral cry of a limb torn apart, led him to the University of Edinburgh, where he studied medicine with almost maniacal precision.
After graduating in 1830, he was sent the following year to India under the flag of the East India Company, unaware that the heat of Bengal would melt his Western scientific certainties.

Esdaile arrived in India wide-eyed, sweat running beneath his wool clothes in the unbearable heat of Calcutta. Initially assigned to a prison hospital in Hooghly, he found himself face to face with disease, despair, and suffering beyond anything he had ever imagined.
One patient, a man with a scrotal tumor as large as a grapefruit, screamed so violently during surgery that Esdaile lost all faith in traditional medicine.
Anesthesia was not merely absent, it did not exist. That was when he stumbled upon mesmerism. Not through books, but through whispers about local healers and strange stories of healing in trance.

The writings of Franz Mesmer reached him by mail, and Esdaile devoured them like a drowning man surrounded by the screams of his patients, realizing that the secret did not lie in magnets alone, but in an invisible fluid the physician had to learn to channel through pure intention and the saturation of the nervous system.

April 4, 1845 marked the point of no return. On a humid morning, a man named Ali was dying from the same grotesque tumor. With nothing to lose, Esdaile attempted the unthinkable: he mesmerized him. For two hours, he passed his hands over the man’s body, whispering softly and performing what he called “longitudinal passes.” The technique was rigorous: without touching the skin, at a distance of roughly one to two inches, Esdaile moved his hands from the crown of the head down to the extremities of the limbs.

The movement had to be slow and steady, “dragging” nervous sensitivity away from the centers of pain. Ali’s breathing slowed, his limbs relaxed, and his eyes rolled upward. When Esdaile made the incision, the silence was total. No convulsion. No scream. Only the stillness of what he would later call “a perfect trance,” today known as the Esdaile State.

The operation was a success, and word spread through Calcutta like wildfire. By 1846, Esdaile had operated on more than 120 patients, tumors, amputations, abscesses, all performed in trance with minimal pain.
Under the patronage of Sir Herbert Maddock, a Magnetic Hospital was opened in Calcutta. Esdaile trained his Indian assistants to work for hours, pressing their thumbs against those of the subject in order to establish a bioelectric “circuit,” and using magnetic breath to accelerate sensory paralysis. On one especially sweltering afternoon in July 1846, a sepoy was rushed in with a gangrenous leg.

Esdaile remained impassive; he placed his fingers on the soldier’s forehead, the point of convergence of the nervous centers, and projected his intention. As the saw bit into bone, the soldier sank into the chair like soft clay. Despite the success, British clergy warned the faithful to stay away from the “magnetist,” while some patients began reporting visions, astral journeys, and messages from their ancestors, all of which Esdaile recorded with the utmost care.
In 1851, Esdaile returned to England carrying the manuscript of his essay Mesmerism in India and a heart full of hope. He believed the Royal College of Surgeons would welcome him as a pioneer, but found only ridicule.
At St. Thomas’ Hospital, he hypnotized a woman before gallbladder surgery; she felt nothing, yet the medical committee declared that the patient had been “pretending in order to please the doctor.” The emerging market for anesthetic gases, such as chloroform, could not tolerate a free method that required hours of preparation.
The persecution became legal in 1852, when in Cornwall he was accused of “illegal medical practice and witchcraft” after a female patient remained in a deep trance for hours. He was fined and officially forbidden from practicing mesmerism in public, while The Lancet described him as a “profaner of medical dignity.”

He withdrew to his home in Sydenham, where he continued writing in silence. The pages of his secret diary became a visionary chronicle of the invisible. He wrote of “bluish lights” issuing from his fingers, filaments of a luminous web wrapping around the sufferer, and of patients smiling at visions of otherworldly gardens while their bodies were being ravaged by the scalpel.
“The world accuses me of fraud,” he wrote in 1858, “because they cannot accept that flesh is only the shadow of a higher substance. I have seen men release their vital spark from the chains of matter.”
The final pages of the diary hint at an “ultimate technique,” a method for inducing a sleep so deep that the soul might detach itself and observe its own healing from above. When he died in 1859, alone and forgotten, he left in an old trunk in Montrose drawings of eyes flung open toward infinity, and maps of a psychic geography that science still fears to explore.
There remains, inscribed in the margin of his final writing, the phrase that stands as both testament and challenge: “The secret lies not in the power of the one who commands, but in the voluntary submission of the universe to the breath of intention. Where science fears to enter, the other face of medicine proceeds alone.”

Mike Giulio Bianco
The Chicago Hypnotist
Member of ASCH
American Society of Clinical Hypnosis
and NYSEPH
New York Milton Erickson Society for Psychology and Hypnosis

04/06/2026

Could I hypnotize someone with a can of tomatoes?
That depends. Are we speaking of actual hypnosis, or the sort of melodrama sold online by men who look as if they have not been contradicted since 1997?
Having trained directly with Dr. Sidney Rosen, and through him in the tradition of Dr. Milton H. Erickson, I can say this much with a straight face, though not without amusement.
The can itself has no powers.
It contains tomatoes, not sorcery.
Yet, in skilled hands, almost anything may become useful.
That is the part that confuses the public. The amateur worships the prop. The serious practitioner notices the mind. A can of tomatoes, a paperclip, a chair, a cough, a glance toward the door, a pause that arrives half a second earlier than expected, even a ridiculous object sitting on a desk with absurd dignity, each may become part of the moment, because hypnosis has never depended on theatrical gadgets. It depends on attention, timing, context, expectancy, permission, and the strange elegance with which human beings assign meaning to whatever enters the frame at the right instant.
So yes, I could use a can of tomatoes.
I could ask you to notice its weight, its bright label, its complete lack of glamour, the faint comedy of giving such an object your full attention. I could let the absurdity lower your guard. I could let the ordinary become slightly peculiar, and the peculiar become quietly absorbing. I could use it as a bridge, a marker, a metaphor, a pattern interrupt, a small red door through which the mind wanders elsewhere.
That is not magic. That is utilization.
The mystery, if there is one, lives here. The mind is forever making meaning. The most trivial object may become important when attention narrows around it. A seasoned clinician learns to work with what is present, rather than waiting for velvet curtains, swinging watches, and other antiques from the museum of bad imagination.
Naturally, this does not mean one can hypnotize “anyone” in the comic-book sense. Human beings are not toaster ovens. Some are ready, some are skeptical, some are curious, some resist magnificently. Hypnosis is collaboration, not conquest.
Still, it does leave us with one am

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