
02/17/2025
My high school choir director, Pat White, died recently, and the fates aligned so that I could attend her funeral. I was grateful to be present in the congregation to sing in her honor and bear witness to a remarkable woman who touched thousands of lives with her music. And to silently offer an apology for a selfish decision I made thirty-seven years ago.
I spent my senior year of high school at the local community college, but had agreed to return for the high school musical. I can’t remember my thought process when the show was announced that January - except that it boiled down to a strong “I don’t want to!!” that was intense enough that I somehow found the nerve to renege on my promise. I didn’t regret it at the time, but I do now.
The Pirates of Penzance had been selected for me. Mabel is perfect for my voice, and I left the production in a difficult place by withdrawing. My friend who ended up doing the role is a great singer, but an alto, so I must have created quite a bit of agita and extra work for the music director, Mrs. White. As an adult I am horrified.
As a teenager, I took it for granted that I would have a chorus to sing in, with a director capable of extracting four-part harmony from a group of fifty not necessarily cooperative adolescents. And to conduct us while playing the piano. And that she’d spend every afternoon for months preparing for the musical. Also that she would happily accompany me at solo competitions, es**rt us to All-County and All-State weekends, and chaperone us to Syracuse Stage once a month - a couple hours’ drive on a school bus, late on a school night. In the same way I took her for granted, I think I also took for granted my voice, a high and agile coloratura soprano that always turned heads - but maybe a gift that came too easily for me to be able to appreciate it.
Pat White had a musical gift, and also the gift of knowing who she was. That’s the part I didn’t fully understand as a teen, and it was my loss. She should have been my role model, but I didn’t catch on. By some grace, I was granted a second chance. In my early thirties, I met Jan Bishop, another strong and talented woman on a musical mission, who helped me rediscover my voice. I even finally sang Mabel. It was my redemption.
The Bhagavad Gita says it is dangerous not to do one’s dharma, that which one is born into this life to do. Both Pat White and Jan Bishop understood theirs, and supported me in the direction of understanding my own, which must include singing so my soul doesn’t shrivel up. They both died within the last year, and though I am prone to weep at funerals, the best way to honor them now is to collect myself and lift my voice in their memories. The subtitle of “The Pirates of Penzance” is “A Slave of Duty.” This time I will rise to the occasion.
If you’re in Rensselaerville, please join us as we honor Jan Bishop’s memory on Sunday, March 9, 2-5 pm at Conkling Hall. I’ll be singing the “Pie Jesu” from Fauré’s Requiem and “The Sun Whose Rays” from Gilbert and Sullivan’s The Mikado, both pieces Jan loved. I’ll also be thinking of Pat, who offered me Lloyd Webber’s “Pie Jesu” as a teen, and that missed opportunity to sing Gilbert and Sullivan, for which I hope I’ve now atoned.