Sketchproductions

Sketchproductions performing, art, facilitation, storytelling,therapeutic theatre making, industrial theatre &producti Business of the arts. producing authentic indigenous art.

11/07/2025
09/07/2025

Open Letter to the Honourable Minister of Sports, Arts and Culture
Subject: Urgent Plea for Transparent Support for Artists Seeking Academic and International Opportunities

Dear Honourable Minister,

I write this letter with a heavy heart, both as a South African artist and a citizen who has long believed in the promise that our country's institutions would uplift and support those who carry the flame of cultural and creative excellence. As a dance practitioner dedicated to the healing and transformative power of the arts, I have been presented with a rare and prestigious opportunity to attend an international dance therapy program in Berlin this coming August. This programme will not only enhance my own practice, but will also allow me to return and share knowledge that can uplift communities here at home.

However, my journey toward trying to access support—be it through public or private funding—has been one marked by confusion, silence, dismissal, and ultimately despair.

Since the beginning of this process, I have sought funding assistance from both the National Arts Council (NAC) and the Department of Sports, Arts and Culture (DSAC). I have been referred back and forth, from NAC to DSAC to National structures and back to NAC, with no clear answers, consistent guidance, or real support. The bureaucracy has been not only exhausting, but deeply disheartening. Most recently, I was told—bluntly and without any constructive explanation—that I would not be receiving assistance. The manner in which this was communicated was dismissive and hurtful, lacking the respect owed to any artist striving to grow and represent our country on global stages.

How can it be that, in a country so rich in artistic talent and cultural heritage, an artist seeking to develop academically and internationally must face such impossible barriers? How is it that the very structures meant to support us often become the greatest obstacles? I speak not only for myself, but for the many other artists whose dreams have quietly died under the weight of administrative red tape, inconsistent policies, and opaque decision-making.

Honourable Minister, we are not asking for handouts—we are asking for access, for transparency, and for a chance to grow and give back. The opportunity I have been offered is not just a personal milestone; it is a bridge between South African dance and global therapeutic practices that can benefit our communities dealing with trauma, inequality, and disconnection.

I urge your office to reflect on the systems currently in place and the silent ways in which they are failing the very people they were meant to serve. I am still holding onto hope that this door may not be fully closed, and that somewhere within the department, there may be someone willing to listen, act, and assist—not just for my sake, but for the sake of all South African artists whose futures are caught in limbo.

With sincerity and the resilience of an artist who refuses to give up,

Hannah van Tonder waMaja
Theatre and Dance Practitioner and Arts Advocate
hannahnvt@gmail.com
+27726964701 SA Creative Network Gayton Mckenzie National Arts Council of South Africa (NAC) Department of Sport, Arts and Culture Gauteng Department of Sport, Arts, Culture and Recreation

09/07/2025

Open Letter to the Honourable Minister of Sports, Arts and Culture
Subject: Urgent Plea for Transparent Support for Artists Seeking Academic and International Opportunities

Dear Honourable Minister,

I write this letter with a heavy heart, both as a South African artist and a citizen who has long believed in the promise that our country's institutions would uplift and support those who carry the flame of cultural and creative excellence. As a dance practitioner dedicated to the healing and transformative power of the arts, I have been presented with a rare and prestigious opportunity to attend an international dance therapy program in Berlin this coming August. This programme will not only enhance my own practice, but will also allow me to return and share knowledge that can uplift communities here at home.

However, my journey toward trying to access support—be it through public or private funding—has been one marked by confusion, silence, dismissal, and ultimately despair.

Since the beginning of this process, I have sought funding assistance from both the National Arts Council (NAC) and the Department of Sports, Arts and Culture (DSAC). I have been referred back and forth, from NAC to DSAC to National structures and back to NAC, with no clear answers, consistent guidance, or real support. The bureaucracy has been not only exhausting, but deeply disheartening. Most recently, I was told—bluntly and without any constructive explanation—that I would not be receiving assistance. The manner in which this was communicated was dismissive and hurtful, lacking the respect owed to any artist striving to grow and represent our country on global stages.

How can it be that, in a country so rich in artistic talent and cultural heritage, an artist seeking to develop academically and internationally must face such impossible barriers? How is it that the very structures meant to support us often become the greatest obstacles? I speak not only for myself, but for the many other artists whose dreams have quietly died under the weight of administrative red tape, inconsistent policies, and opaque decision-making.

Honourable Minister, we are not asking for handouts—we are asking for access, for transparency, and for a chance to grow and give back. The opportunity I have been offered is not just a personal milestone; it is a bridge between South African dance and global therapeutic practices that can benefit our communities dealing with trauma, inequality, and disconnection.

I urge your office to reflect on the systems currently in place and the silent ways in which they are failing the very people they were meant to serve. I am still holding onto hope that this door may not be fully closed, and that somewhere within the department, there may be someone willing to listen, act, and assist—not just for my sake, but for the sake of all South African artists whose futures are caught in limbo.

With sincerity and the resilience of an artist who refuses to give up,

Hannah van Tonder waMaja
Theatre and Dance Practitioner and Arts Advocate
hannahnvt@gmail.com
+27726964701

Afrocentricity, Afrofuturistic, Afrosceneology, indigenous knowledge system. Creativity it's a gift, to apply it's a mis...
05/07/2025

Afrocentricity, Afrofuturistic, Afrosceneology, indigenous knowledge system. Creativity it's a gift, to apply it's a mission. Simplicity is the most sophisticated thing.

Date: 20 July until 26 July 2025
Venue: Diepkloof hall/ online

Registration fee

Beginners: R150
Semi professional: R250
Professional : R300

Course fee

6 classes: R1000
4 classes: R500
2 classes: R300

Facilitated by scholars Paul Noko Mutwsagule and Hannah van Tonder

🔗 Register between now–18 July 2025 | 📲 WhatsApp 0710725449

Sketchproductions18@gmail.com or Sketchproductions

"You can't bury a seed" Wits - University of the Witwatersrand these kids are good at what they do. Watch the 2025 4th y...
05/07/2025

"You can't bury a seed" Wits - University of the Witwatersrand these kids are good at what they do. Watch the 2025 4th years, 3rd years, 2nd years. Their about to change the face of the industry.

Why should I attend sketchproductions master classes on theatre directing? Attending Sketchproductions’ master classes o...
04/07/2025

Why should I attend sketchproductions master classes on theatre directing?

Attending Sketchproductions’ master classes on theatre directing could be a valuable move for several reasons—especially if you're serious about growing as a theatre director or creative in the performance arts. Here’s a breakdown of why it might be worth your time and investment:

1. Learn from Working Professionals is likely run by active theatre practitioners. Their master classes often give you direct access to directors, dramaturgs, and producers with real-world experience in directing, producing, and staging plays. This means you're learning from people who know what works on stage and why.

2. Hands-On, Practical Skills
Unlike academic lectures, master classes are typically interactive and immersive. You won’t just talk about theory—you’ll:

Block scenes

Work with actors

Explore rehearsal techniques

Make real-time decisions under professional guidance

This is essential if you want to go beyond books and start developing your own directing style.

3. Creative Confidence & Leadership
Directing isn't just about vision—it's about managing people, time, and tension. Master classes often tackle:

How to lead a room

How to give actors useful notes

How to collaborate with designers and crew

That kind of leadership training is rare but crucial.

4. Networking Opportunities
You’ll meet other emerging and professional directors, actors, and theatre makers. This kind of creative community can:

Spark future collaborations

Open job opportunities

Offer support during productions

In theatre, who you know matters just as much as what you know.

5. Explore New Forms & Styles
SketchProductions may introduce you to:

Contemporary directing trends

African, physical, or experimental theatre styles

Staging techniques that break traditional boundaries

This widens your directing vocabulary and helps you find your artistic voice.

6. Real Feedback on Your Work
One of the most powerful aspects of a master class is direct feedback from experienced mentors. You'll:

Present scenes or directing ideas

Hear what’s working (and what’s not)

Leave with concrete steps for improvement

This kind of critique helps you level up much faster than working in isolation.

7. Portfolio & Resume Building
Many master classes end with participants directing short scenes or projects. This gives you:

Footage or photos for your portfolio

Experience to list on your CV

Something tangible to show when applying for festivals, jobs, or funding

“If you’re serious about directing theatre—not just talking about it—SketchProductions will put you in the room where the real work happens.”

03/07/2025

South Africa's cultural landscape is marked by a vibrant tapestry of unique sayings and quotes, reflecting its diverse c...
01/07/2025

South Africa's cultural landscape is marked by a vibrant tapestry of unique sayings and quotes, reflecting its diverse cultural traditions and historical context. Common expressions include "Howzit," a casual greeting, "Eish," expressing surprise or frustration, and "Just now," which can denote a timeframe of anywhere from a few minutes to several hours. Other popular sayings, such as "Boer maak 'n plan" (a farmer makes a plan), highlight the importance of resourcefulness. Furthermore, various proverbs, including "Ubuntu" (a person is a person through other people), stress the significance of community and interconnectedness. As a theatre maker understanding that language carries culture, your first step towards...

The future is now and the future is us. Afrocwntricity, Afrofuturistic, afrosceneology.
29/06/2025

The future is now and the future is us. Afrocwntricity, Afrofuturistic, afrosceneology.

https://www.backabuddy.co.za/campaign/international-dance-therapy-studies Arts & Culture Trust (ACT) Standard Bank - Art...
28/06/2025

https://www.backabuddy.co.za/campaign/international-dance-therapy-studies Arts & Culture Trust (ACT) Standard Bank - Arts National Arts Council of South Africa (NAC) Gauteng Provincial Government (GPG) Department of Social Development The African Theatre Magazine Toyota SA Tessa Dooms Renos Nicos Spanoudes Paul Noko Mutwsagule Richard Ivan Veldman Agentbobstar Nathan Botha Attie Mbali Brandt Grey Zionlion Mafumbu Bailey Snyman Creative Feel Clive Mathibe Lucy Draper-Clarke Therapy Beyond The Couch - Psychotherapy, Hypnotherapy & EMDR Jay Pather Wesley Pepper SA Creative Network Liam Jacobs Lekgetho James Makola Visual Arts Network of South Africa (VANSA)

I am reaching out to ask for urgent assistance through a supporting grant or donation towards an international educational opportunity in Germany thi...

Address

Diepkloof

Alerts

Be the first to know and let us send you an email when Sketchproductions posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Practice

Send a message to Sketchproductions:

Share